In the (future of) news this week: Facebook, The New York Times, GigaOM, Hasselhoff? nie.mn/yrRbkW
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Nieman Journalism Lab
Nieman Journalism Lab
Pushing to the future of journalism — A project of the Nieman Foundation at Harvard

Who will be the IMDB for books?

A plea for better metadata in book publishing, wondering who will be the industry’s IMDB.

Not everyone chooses a film because of who directs it or who the screenwriter was, but some of us do, and now with databases like IMDB we can easily find lists of films containing the actors we like, or directors and discover more things we might like to watch. I think books can be the same. Currently I don’t get to know who edits each book, or acquires the rights, but if I did I might start to follow their work. Authors need not be the only brands. Publishers can establish a brand identity the way imprints used to. Most will have to start over as they’ve diluted any meaning they ever had.

We all know superstar journalists who have established similar brands. Newspapers typically encourage it for columnists, and by default discourage it for reporters. What if newspapers made it trivially easy to be told every time there’s a new story by ace reporter Jane Doe? Or a big project edited by the local Pulitzer winner? Or a new photo shot by your brilliant portraitist? And papers promoted those individual talents accordingly?

                                   
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Ken Doctor    February 8, 2012
In the Bay Area, in Los Angeles, in San Diego — the traditional boundaries of California journalism are shifting fast.
  • Glenn Fleishman

    I’ve been working with book data since 1996, when I was Amazon.com’s catalog manager, through consulting later for Half.com and Powell’s, up through the present moment for my 9-year-old isbn.nu price comparison site. It’s not just a bag of cats; the whole bibliographic data industry and set of information is a large bag full of bags of cats.