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Nieman Journalism Lab
Nieman Journalism Lab
Pushing to the future of journalism — A project of the Nieman Foundation at Harvard

Dr. Journalism, I presume?

From the Metaphor Dept.: I point you toward this essay on the explorer and journalist Henry Stanley (of “Dr. Livingstone, I presume?” fame) for a couple reasons:

— It’s an fascinating read for history buffs, a group I suspect includes a lot of journalists. (The blog it’s on, The Edge of the American West, is a consistently great source of history stuff.)

— It’s an interesting look at how the arguments some journalists reflexively use against “the Internet” echo those originally used against newspapermen.

(Work with me here — we risk running aground on Metaphor Shoals otherwise.)

For those unfamiliar with the basic story, Stanley was a reporter for The New York Herald sent on a journey to Africa to find the Scottish explorer David Livingstone, who had not been heard from in some time. After finding him, Stanley — a tireless self-promoter — addressed the Royal Geographical Society, which had sponsored more traditional exploratory missions and wasn’t impressed by this brash and unschooled reporter:

Yet his response to being pilloried for his “sensationalism” was largely to agree (calling himself a “troubador”), and to make a virtue of his profession by focusing on the primacy of unmediated knowledge; as he put it, “if a man goes there and says ‘I have seen the source of the river,’ the man sitting in his easy chair or lying in bed cannot dispute this fact on any grounds of theory,” and he repeatedly returns to this point. It is, in a way, an argument for the primacy of fieldwork over stay-at-home learning — a theoretical question that social scientists would spend the next half-century arguing about — but he also specifically places this methodological difference in the service of nationalist difference, asserting the superior mobility of American methods over ponderous British dignity. [Emphasis mine.]

Does that argument look familiar to any of you? The value of unmediated information, direct from the source closest to the scene, versus the value of an older tradition that filters that information through the methods and mores of a profession? Substitute “those bloggers” for Stanley and “the mainstream media” for the Royal Geographic Society.

[F]or the RGS, the American newspaperman is tarred by his associations with the cheap and democratic availability of newsprint while, in his mind, Stanley is uplifted by exactly this association.

This is precisely the same duality you see today: many mainstream journalists see bloggers as far too small-d democratic — representing the uninformed hoi polloi at the expense of the learned caste who are trained to commit acts of journalism. And many bloggers see the mainstream media as a kind of unearned priesthood that should be smashed — or, at the very least, which carries no special trustworthiness.

As Mary Louise Pratt has observed, the actual practice of African “discovery” was generally a non-event, and usually boiled down to asking the locals if there were any big lakes in the area and then getting them to take you there. Yet by aestheticizing the act of “discovery,” Pratt notes, such a non-event could become a spectacle of imperial power. Richard Burton’s “discovery” of Lake Tanganyika, for example, is written as a romantic epiphany, and locates its momentousness not in the plain fact of seeing but in the cultivated sensibility which apprehended the spectacle. Imperial mastery, for him, proceeded from this kind of poetics, an implicit argument that a space belongs primarily to those who can appreciate it.

Think of how traditional journalism has fetishized its acts of “discovery.” Much of the news produced in a newspaper on any given day was not “discovered” in any true sense by the journalist whose name is attached to it. Much of it comes from a source that is happy to share the information, often a business or a government or an organization. It is “discovered” only in the sense that Richard Burton “discovered” Lake Tanganyika — the journalist/explorer takes a piece of information known only to a few and shares it with a much broader audience than knew it before. The key in both cases is the distribution of the information, not its “discovery” — that’s the act that gives someone “ownership” of the discovery. And both cases are vulnerable to changes in that distribution model; today’s Internet user no longer needs to read his local newspaper to obtain most of the news and information that rests inside it.

When he notes of would-be African travelers that “the more plastic his nature, the more prosperous will be his travels,” [Stanley] gives up something that Burton and company held onto for good reasons: the decided “un-plasticity” of Burton and the RGS was precisely the basis on which the white man’s monopoly on African knowledge was maintained. Stanley’s American emphasis on the frontiersman’s absorption into the frontier environment, on the other hand, relocated discovery back into the environment itself.

See above: You can probably complete the metaphors regarding the rigidity of the old ways, the establishment’s disdain for the loss of its information monopoly, and the shift in emphasis from the “discoverer” to the environment itself.

Much of the rest of the very interesting piece revolved around how the poetics of the Stanley-RGS interaction play into nationalist conceptions of the U.S./U.K. relationship — who was ahead and who was behind. I won’t stretch the metaphor to that point. And history is clear that Stanley was something of a truth-stretcher himself (claiming through much of his life to be a Missourian, not the Wales-born man he was). But it’s a reminder that the battles ongoing in our field now are not fundamentally new ones — they echo ideas that have been in the ether as long as information has been transmitted from one to many.

                                   
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Justin Ellis    February 9, 2012
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  • http://zunguzungu.wordpress.com Aaron Bady

    Hi there,
    Glad you liked my Stanley post! (I’m the author; I wrote it as a guest post at the EotAW). And you make me think about what I was trying to do in a slightly different way; the analogy I was drawing was with the debate that went on in anthropological circles (who didn’t settle on the idea of “fieldwork” until well into the twentieth century), but I like the analogy you drew as well, and observing the ways anthropology and journalism fight the same battles is precisely in the spirit of your post, and mine.

    I would, though, comment on the theme of your post with a certain extra sense of perspective given to me by the experience of being the author of the post you linked to. I’m not being critical; I wouldn’t have done the guest post if I didn’t want to make my ideas available to exactly the kind of fair use you’ve given them, and I‘m very gratified by your doing so. Yet at the same time, there’s something a little unsettling about seeing my words on another blog without my name anywhere attached, and I‘m still trying to figure out for myself how I feel about that. I do use a pseudonym at my blog; I’m a grad student and a pseudonym frees you up from some of the worries someone without much professional security might otherwise have about speaking forcefully about whatever you feel like writing about it. But the flipside, I suddenly see, is that you give up a certain identification with what you’ve written. And while traditional journalism might have “fetishized its acts of discovery,” it’s also true that giving the writer a personal stake in the thing being written is pretty important if that writer is to be expected to do good work. If Stanley hadn’t been allowed to take credit for his “discoveries,” he probably wouldn’t have undergone all the trouble, and while that wouldn’t have been a big loss in his case (I’m more down on Stanley than was probably clear from that post) there are certainly counterexamples of self-interested journalists who do their best work in expectation of being able to take personal credit for it, and of “society,” in some nebulous sense, reaping the benefit.

    In other words, I wonder if this wonderfully un-policed and un-regulated medium also has the potential to more easily sever the connection between writer and text, in a way that would have real consequences for journalism “in the internet age.” I ask that question in good faith; I’m really not complaining or criticizing — and I’m very much a partisan of internet scholarship in general — I’m just curious what your take on this sort of thing is, since it seems right up your alley. In the traditional media, one always knows who the official author of a thing is, but internet text tends to get much more loosely cited and the tangled webs of attribution are much more difficult to tease out (and I don’t think people bother). I wonder what the macro result of all that would be; it’s still a marketplace, but has something strange happened to the profit motive? At the very least, it’s a different kind of calculus for writers.

  • http://www.niemanlab.org/ Joshua Benton

    Hi Aaron — Thanks for commenting, and thanks for the very interesting Stanley piece. As you can tell from looking at other posts around here, I’m happy to give credit to the people I link to or get ideas from. In this case, I tried to track down your name: going to your blog, checking the about page. But when I couldn’t find it, I decided against using your pseudonym because, well, I didn’t want some of my more Internet-conservative readers to skip over a post attributed to “someone who goes by ‘zungugunzu.’” I’m happy to change the text if you’d like.

    To the broader point: There’s no doubt that lots and lots of journalists are fueled by the idea of seeing their name in print, and by the small-scale prominence that comes from being a recognized reporter in a particular community. But I tend to think that, overall, writing online tends to *increase* the connection between writer and text over the status quo in the mainstream media. Most pieces produced for, say, American newspapers or magazines are identified less with the writer than with the publication. Readers identify articles as “that piece in the Times yesterday,” not “that Adam Nagourney piece yesterday.” (A few writers, like Malcolm Gladwell, have been able to brand their work successfully as their own, not their publications, but they’re the exception, I think.)

    Plus, most pieces in mainstream publications have been massaged and edited by any number of journalists along the path to publication, no matter whose name is at the top of the story.

    Online, I think the issue of authorship is usually easier — Josh Marshall’s work is identifiably Josh Marshall’s and is thought of as such. So is Jason Kottke’s, so is Cory Doctorow’s. Writers online, on average, develop much stronger personal brands and connections to their work than do those working in old media.

    You do get into fuzzier corners when one brings in linking — in that a Kottke or a Boing Boing might get the public “credit” for finding and promoting a link to something produced by someone else. I guess I believe in the democracy of the link — that so long as one is pointing people to the original text/site, one’s done all right by everyone.

    But those are just off-the-cuff thoughts. There’s room for interesting work on figuring out why, exactly, people write online for no financial compensation. Maybe the old concept of “egoboo” gets at some of it — I think you’re right that people produce content in part to get credit for it.