Nieman Foundation at Harvard
HOME
          
LATEST STORY
Serial meets The X-Files in Limetown, a fictional podcast drawing raves after just one episode
ABOUT                    SUBSCRIBE
March 11, 2011, 8:30 p.m.

Japan: When public broadcasting meets limited access

On the long list of things I know nothing about are (a) the Japanese language, (b) the state of fair use in Japanese media law, and (c) the legal structure of Japanese public broadcaster NHK. But this article seems to hit on a lot of the same issues we see in the American future-of-journalism world: How far can (and should) a news organization go to protect the products of its journalists? How do the duties of a publicly funded news organization differ from those of a private one? And how does the mission of serving the public match up with the mission to sustain a news organization?

The brief story, in the Japanese business newspaper Nihon Keizai Shimbun, is in Japanese, so I asked our Twitter followers if someone was willing to translate.

(Huge thanks to Chris Salzberg, Annamaria Sasagawa, Carlos Martinez de la Serna, Tana Oshima, and Ally Millar for volunteering to help. Our readers are awesome.)

Here’s how one of our readers, Takaaki Okada, translated the text:

NHK disallows the transmission of earthquake footage over the web

On the 11th of March, NHK disallowed the online transmission of earthquake footage by other news media outlets. “We are sending our correspondents to the ground so we can broadcast the footage ourselves, so it makes sense that the public watches it on NHK’s TV channel or website,” said NHK’s Public Relations Department.

NHK is allowing newspapers to publish images of their footage as long as they are credited, but they are not allowing other media outlets to transmit their footage online. Because of this unprecedented emergency, Nihon Keizai Shimbun (Nikkei Newspaper) has requested the NHK — a public broadcasting organization — to offer their important video footage, so it can reach a wide audience, but NHK has declined this request.

Again, I have no idea what Japanese law around fair use is, or how NHK as a public broadcaster views (or should view) its role in a moment of national crisis. And NHK is no doubt spending a ton of money covering the earthquake and tsunami, and it makes sense that it should reap the rewards of that work in terms of audience. But it’s an interesting place to draw the line to say that no NHK footage should be allowed on the website of a leading national newspaper. It’s particularly interesting given that, as I type this, there are over 1,000 videos uploaded to YouTube in the past 24 hours with “NHK” in the description or title — and from scanning them over, most seem to be straight copies of NHK disaster footage.

In any event, NHK World is streaming free on its website for anyone looking for it. Our best to all our readers in Japan and everyone else affected by today’s disaster.

POSTED     March 11, 2011, 8:30 p.m.
SHARE THIS STORY
   
Show comments  
Show tags
 
Join the 15,000 who get the freshest future-of-journalism news in our daily email.
Serial meets The X-Files in Limetown, a fictional podcast drawing raves after just one episode
“Serial had to stay nonfictional. At the end of the show, it didn’t necessarily mean that it had a conclusion. That’s the biggest advantage we have: We’re making it up. So we can give you an ending.”
The Atlantic is returning to blogging
“We missed the kind of writing it represents. We missed the kind of audience engagement it represents.”
The mourning of AJR is less about a decline in press criticism than the loss of an institution
Like the media it covers, journalism criticism has moved from the work of a few established institutions to something more diffuse.
What to read next
2351
tweets
The New York Times built a Slack bot to help decide which stories to post to social media
The bot, named Blossom, helps predict how stories will do on social and also suggests which stories editors should promote.
1287Jo Ellen Green Kaiser: Do independent news outlets have a blind spot when it comes to ethnic media?
The head of the Media Consortium argues that, by defining themselves in opposition to mainstream media, independent progressive outlets miss out on the power of ethnic and community journalism.
1029Newsonomics: 10 numbers on The New York Times’ 1 million digital-subscriber milestone
Digital subscribers are proving to be the bedrock of the Times’ business model going forward. How much more room is there for growth — and at what price points?
These stories are our most popular on Twitter over the past 30 days.
See all our most recent pieces ➚
Fuego is our heat-seeking Twitter bot, tracking the links the future-of-journalism crowd is talking about most on Twitter.
Here are a few of the top links Fuego’s currently watching.   Get the full Fuego ➚
Encyclo is our encyclopedia of the future of news, chronicling the key players in journalism’s evolution.
Here are a few of the entries you’ll find in Encyclo.   Get the full Encyclo ➚
Connecticut Mirror
Amazon
The Daily Telegraph
GateHouse Media
WikiLeaks
Wired
WyoFile
Politico
Austin American-Statesman
The Bay Citizen
MediaNews Group
The New York Times