HOME
          
LATEST STORY
Open-mic journalism: How The Arizona Republic found success with storytelling events
ABOUT                    SUBSCRIBE
July 31, 2012, 9:30 a.m.
Reporting & Production

SoundCloud expands its effort to become the YouTube of public radio and podcasts

On the web, audio has long been video’s neglected little brother.

SoundCloud is arguably the biggest music-sharing community since MySpace, but now the company is eyeing a different kind of audio: the spoken word.

SoundCloud logoThe website was founded five years ago by two sound guys who wanted to make it easier for musicians to share their work. After a series of smart moves — releasing robust public APIs, building partnerships with the likes of Facebook, Tumblr, WordPress — SoundCloud has attracted audience (20 million registered users, according to the company) and money (including a reported $50 million investment round in January). SoundCloud’s “freemium” model charges heavier users for extra storage capacity and deeper analytics.

Now, as part of its effort to “unmute the web,” SoundCloud is courting radio news professionals, podcasters, and indie storytellers. A year-old team of about a half-dozen people is focused on spoken-word content. The company just hired Jim Colgan, formerly a producer and digital experimenter for WNYC public radio, to manage partnerships with audio providers.

“In our outreach…we highlight that if you’ve got great audio, appreciate it for what it is,” said Manolo Espinosa, SoundCloud’s head of audio. “It does not need to have an overlay of a video container. It doesn’t have to have a separate experience. … You don’t have to have a stock video image of a tape player or a microphone on there. The audio stands by itself.”

A recent example: Audio from police scanners captured during the Aurora shootings, edited and posted to SoundCloud by The Madeleine Brand Show.

Producers of radio stories don’t need to be told how powerful sound can be. The problem is, the form has long suffered from neglect on the web. Sample a variety of public-radio sites and you’ll find proprietary Flash-based widgets or direct links to MP3 files. The HTML5 <audio> standard was supposed to fix all that, but ongoing format wars have led to inconsistent browser support, so hardly anyone uses it.

Video producers might still be having this conversation if not for YouTube. Do you remember what it was like trying to embed video in a blog post before YouTube (or Vimeo)? Pretty terrible. YouTube became a de facto standard for video because it nailed three things:

  1. It provided free hosting of the content
  2. It provided an easy-to-embed player
  3. It built a huge community

It’s uncommon for a news organization not to upload original video to YouTube — at least those organizations without their own infrastructure for video. There’s no need to fiddle with file formats or pay for server space, and it’s dead simple to embed the file in a web page. Plus people might actually see it.

Standardization, in addition to simplifying things for news outlets, can go a long way in providing a consistent user experience. SoundCloud, of course, wants to be that standard. Think of it as an aspiring YouTube for public radio.

SoundCloud is itself a social network, within which fans can like and comment on tracks. But the content is portable, easily embedded in other sites. And the player is offered in HTML5, which means mobile devices (without Flash) can still render the audio.

Some producers are signing on. L.A.-based KPCC and KCRW, North Carolina’s WUNC, St. Louis Public Radio, and (newly relaunched) CNN Radio are among the traditional outlets actively uploading to the site. Boston’s WBUR and WGBH program The World have switched to using SoundCloud’s player on their websites. A number of other shows are on the platform, free to download and share, including Roman Mars’ wildly popular 99% Invisible.

SoundCloud also provides a way for producers to solicit audio from users. Last week Michael Caputo of the Public Insight Network wrote about American Public Media’s new effort to collect audio responses to survey questions:

For years now, the web has elevated visual presentations, making videos and video streams a means of trading information on sites like YouTube, Skype and Google Hangouts. They, and thousands of similar services, have turned the seen into the shared, and helped make video an important mode of engagement.

But it seems like audio has lagged behind, likely because the vast majority of audio platforms cater to music creators. They enable us to hear the songs and even pass finished pieces along to someone else. But where’s the engagement in all this?

Espinosa told me one of his challenges is winning over commercial outlets, who are, for better or for worse, more focused on monetization and concerned about releasing control of their product. Unlike YouTube, SoundCloud offers no built-in options for advertising or other ways to monetize. That could stall broad industry adoption. Espinosa said SoundCloud’s focus now is on maximizing distribution.

POSTED     July 31, 2012, 9:30 a.m.
SEE MORE ON Reporting & Production
SHARE THIS STORY
   
Show comments  
Show tags
 
Join the 15,000 who get the freshest future-of-journalism news in our daily email.
Open-mic journalism: How The Arizona Republic found success with storytelling events
The four-year-old program has helped boost the newspaper’s events business and helped strengthen relationships with the community through nights of storytelling.
Newsonomics: Buying Yelp — and making it the next core of the local news and information business
The pricetag would be high, but it might be worth it to reassemble one part of the old newspaper bundle — tying together local news and local services.
Crossing the streams: Why competing publications are deciding to team up on podcasts
Low financial risk and a desire for word-of-mouth sharing have led news sites to collaborate, sharing audience and infrastructure.
What to read next
953
tweets
The State of the News Media 2015: Newspapers ↓, smartphones ↑
The annual omnibus report from Pew outlines a story of continued trends more than radical change.
561The Upshot uses geolocation to push readers deeper into data
The New York Times story changes its text depending on where you’re reading it: “It’s a fine line between a smarter default and being creepy.”
422Knight Foundation invests $1 million in creator-driven podcast collective Radiotopia
The money will help PRX’s collective of public media-minded shows develop sustainable business models and expand with new shows and producers.
These stories are our most popular on Twitter over the past 30 days.
See all our most recent pieces ➚
Fuego is our heat-seeking Twitter bot, tracking the links the future-of-journalism crowd is talking about most on Twitter.
Here are a few of the top links Fuego’s currently watching.   Get the full Fuego ➚
Encyclo is our encyclopedia of the future of news, chronicling the key players in journalism’s evolution.
Here are a few of the entries you’ll find in Encyclo.   Get the full Encyclo ➚
Current TV
CBS News
Journal Register Co.
Spot.Us
Examiner.com
Newsmax
The Nation
Corporation for Public Broadcasting
Bloomberg Businessweek
Gotham Gazette
Reuters
The Globe and Mail