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Podcasts keep getting better

“It turns out that people — well, lots of people, anyway — are hungry for substance. Our attention spans are quite intact, ready, and willing.”

“Nobody has any attention span anymore. Least of all anyone under 40.” Until a few years ago, it seemed that virtually all media watchers, and media makers, agreed on this. Among the most powerful gatekeepers, anyway, the consensus seemed solid.

One of the most gratifying revelations to emerge from the podcast boom of the last few years is that the above article of faith was dead wrong. It’s an especially gratifying discovery if, like me, you love to produce long-form, in-depth, documentary audio.

Yes, the trend took off with Serial’s first season. Twelve episodes, “one story told week by week,” 100 million downloads in no time, etc., etc. Everyone knows that Serial’s success unleashed a new podcast stampede. More specifically, for my purposes here, it threw open the doors to the podcast series. Eight, ten, fourteen parts, a bunch of hours in total — the audio nonfiction (and sometimes fiction) equivalent of a good book, or of the bingeable Netflix series so many of us are burning through. Podcast listeners — who in fact skew younger than in most other media — seem to be saying: Yes, thank you. Take me on a journey. We’re going to take our time, dig into corners, get into the weeds? Sign me up.

So, we’ve got the many true crime series, each show or season tackling a single case (In the Dark, Dirty John, Empire on Blood, Atlanta Monster, Last Seen), while others dive into past political scandals (Slow Burn, Bag Man). In addition, podcasters are making series that explore personal journeys (First Day Back, How to Be a Girl) and historical and social themes (UnCivil, Caught, Scene on Radio’s Seeing White and MEN). There’s fiction and quasi-fiction (Homecoming, The Shadows), and limited series turning on a creative, imaginative device (Everything is Alive).

It turns out that people — well, lots of people, anyway — are hungry for substance. Our attention spans are quite intact, ready, and willing.

My prediction: More podcast series in 2019. (No kidding.) They’ll keep getting better, smarter, deeper, and more varied. Thank god and the inventors of the podcast. Bring ‘em on.

John Biewen is audio program director at the Center for Documentary Studies at Duke University and host/producer of Scene on Radio.

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Marie Shanahan   Newsrooms take the comments sections back from platforms

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Sue Cross   Return of the water cooler

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Francesco Marconi   The year of iterative journalism

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Sarah Alvarez   Simplify and redistribute

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Simon Rogers   Data journalism becomes a global field

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Elizabeth Dunbar   Local reporters reflect on what’s not important

Eric Nuzum   The year of the DIY podcast network

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Dheerja Kaur   A focus on problems, not platforms

Monique Judge   Committing to the truth, calling out lies

John Biewen   Podcasts keep getting better

Millie Tran   There is no magic — you’ve got this

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Pia Frey   You can’t solve a crisis without treating it as a crisis

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Victor Pickard   We will finally confront systemic market failure

Adam B. Ellick   Video forensic reporting goes mainstream — and local

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Ole Reißmann   The rise of vertical storytelling

Craig Newmark   The end of “loudspeakers for liars”

Peter Cunliffe-Jones   The focus of misinformation debates shifts south

Jesse Holcomb   We’ll get better at making the case for local journalism

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Masuma Ahuja   Make foreign coverage less foreign

Elizabeth Bramson-Boudreau   A more sincere definition of “community”

Chase Davis   We can acknowledge what we don’t know

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Errin Haines   Say it with me: Racism

Laura E. Davis   More access, but not that kind

Tim Carmody   Unlocking the commons

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Emma Carew Grovum   The year of the loyal reader

Alexis Lloyd & Matt Boggie   The year product leads media

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Joanne McNeil   Building a digital hospice

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Heather Chaplin   Agree we’re partisan — for the democratic system

Juleyka Lantigua   Podcasting battles East Coast bias

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Eric Ulken   The year you actually start to like your CMS

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Thomas Hanitzsch   The rise of tribal journalism

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Annie Rudd   A more intimate aesthetic of politics — on Insta

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Michael Rain   The year of the culturally relevant curator

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Ben Werdmuller   The platform tide is turning

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Pablo Boczkowski   Reimagining the media for post-institutional times

Cristi Hegranes   A year to invest in the security of local journalists

Almar Latour   Reported facts, weaponized in service of action

Joshua P. Darr   The nationalization of political news will accelerate

Carolina Guerrero   Spanish-language audio blows up

Shalabh Upadhyay   A culture clash on India’s growing Internet

Alyssa Zeisler   We expand what (and how and who) we serve

J. Siguru Wahutu   Think 2018 was bad? Wait until you see 2019

Talia Stroud   Engaging people across lines of difference

Zuzanna Ziomecka   News leadership gets an overdue upgrade

Jonathan Gill   Publishers build a common tech platform together

A.J. Bauer   The coming splintering of conservative media

Adam Thomas   In Europe, foundations invest in news

Amy Schmitz Weiss   Local news isn’t where you thought it was

Colleen Shalby   Representation becomes more than a talking point

Kelsey Proud   Journalism becomes the escape

Jeremy Gilbert   AI finally becomes helpful

Jenée Desmond-Harris   It finally sinks in that some people aren’t white

Amy King   We should listen to the kids (especially on Instagram)

Greg Emerson   Power to the user

Lauren Katz   Community becomes a core newsroom value

Stefanie Murray   Local news wakes up and starts collaborating

Patrick Butler   Measuring impact will increase audience trust

Becca Aaronson   From bridge roles to product thinkers

Jared Newman   AI-generated fakes launch a software arms race

Matt Karolian   Publishers come to terms with being Facebook’s enablers

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Alexandra Borchardt   Newsrooms need to build trust with their journalists, not just the audience

Jean Friedman Rudovsky   Cross-newsroom collaborations strengthen communities

Rebecca Lee Sanchez   We are all actors in the running rampant of political theater

Andrea Faye Hart   Doing less harm, not just more good

Rodney Gibbs   A bright — and young — year for audio

Jeff Chin   We detox from Chartbeat

Darryl Holliday   Let’s talk about power (yours)

Tushar Banerjee   Interactive ads will be the new face of display advertising

Elizabeth Jensen   Going where the Acela can’t take you

Nathalie Malinarich   Video — yes, video

Kate Myers   Journalism continues to be bad for democracy

Shannon McGregor   More bogus embedded tweets in our stories

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Steve Grove   A reckoning for tech’s work with news

Elisabeth Goodridge   Yes, they signed up — but our job’s not over

Jennifer Dargan   You don’t build diversity through one-off training sessions

Hossein Derakhshan   The news is dying, but journalism will not — and should not

Zainab Khan   Publishers whose products can stand up to social media giants will win

Glyn Mottershead and Martin Chorley   When a tech company pulls the plug on your story

Adam Smith   Platforms will have to help rebuild trust in news

Ben Smith   The pendulum starts to swing back

Matt Skibinski   Quality and reliability are the new currencies for publishers

Jack Riley   Facebook refugees, from ad revenue to news habits

Carrie Brown-Smith   Advocating a healthy civic life is no journalistic crime

Geetika Rudra   The year of actionable (local) journalism

Bill Grueskin   Toward a symphony model for local news

Ariel Zirulnick   Participation gets professional

Rubina Madan Fillion   Fighting the reality of deepfakes

Carl Bialik   Fatigued news consumers will pay more for less news

Mandy Jenkins   Fight the urge to run away from social media

Francesco Zaffarano   Towards a rethinking of journalism on social media

Ernst-Jan Pfauth   Readers are only getting started

Don Day   Timewalls and other reader revenue experiments

Nico Gendron   Reaching Generation Z beyond the coasts