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June 11, 2014, 2:33 p.m.
Business Models
LINK: medium.com  ➚   |   Posted by: Caroline O'Donovan   |   June 11, 2014

Felix Salmon’s post-text revolution continued today with his 23,000-word magnum opus on the life and times of Jonah Peretti. Didn’t have the extra 91 minutes today to read it all? No problem — we’ve got the highlights.

(The interview in question is on the newly relaunched Medium sub-brand Matter; editor-in-chief Mark Lotto teased it yesterday by calling it “so long you’re going to thing we’re insane.” The new Matter seems, at a glance, to be some kind of experimental publishing space with a magazine-y feel.)

Much of the ground the two cover is familiar stuff for readers of past Peretti profiles — his time at the MIT Media Lab, his experiments in content sharing with funny projects like Black People Love Us and the Nike sneaker email, his partnership with Ken “Kenny” Lerer. You also learn that as an undergraduate at UC Santa Cruz, Peretti took a lot of graduate courses on postmodernism and Lacanian psychoanalysis while reading Freud, Marx, Kant, and Foucault. (No word on whether he considers himself an actual Marxist or not, though. Lol.) After that, he became a teacher in New Orleans, which it actually sounds like he was pretty good at. (Peretti credits this period of life with teaching him how to communicate with non-critical theorists.)

You also learn a little about BuzzFeed, which he started out working on one day a week while still at The Huffington Post. At first, Peretti says, BuzzFeed was little more than a chat bot that spewed out popular links from around the web.

FS: At this point, it’s more reactive. You’re not creating stuff which is designed to go viral. You’re just identifying the stuff which is already viral and amplifying it.

JP: Exactly. That’s exactly right. That was true for the first couple years.

There are other fun nuggets of information about early days at BuzzFeed, including partners that could have been:

JP: At that stage, the site was a proof of concept for the technology. We were thinking of building a technology platform, and then the site was a proof of concept. It wasn’t like, “Oh, we want to make the site big.” But if the site didn’t grow, the proof of concept wouldn’t work. We even had a conversation with The Washington Post about them using our technology to optimize The Washington Post.

You can learn a lot about how Peretti thinks about business from the interview — why, for example, he thinks venture funding is right for his management style, but not necessarily for everyone.

FS: That’s [technologist] Anil Dash’s whole theory about the web we lost. The minute it all became a business, it all died, in a way.

JP: I don’t know I’d totally agree with that. Scaling things, and building a business, and the data that you have when you grow something to a large scale, does allow you to learn certain things that you can’t learn in a lab. The thing that bothered me about Eyebeam was that you’d do some amazing project or event and it would get attention and people would love it and it would be a cool idea and would make people think about new ideas and get excited, and then, at the end of the project, you would start back at zero or you’d have to go write another MacArthur grant, which would take two years.

What I learned first at HuffPost is that if you do something and make a splash and build something interesting, then people will give you money to do more stuff. They come to you and say, “Why don’t you take this to the next level? Let us invest.” And then you generate revenue, and that allows you to explore more ideas. Then you start saying, “Oh, wow, we’re at a scale that starts to be significant relevant to the web as a whole. So we can see, based on that, some things about how people behave and how the ecosystem works.”

I did become a convert to building businesses and start-ups. But at the time that I was at Eyebeam, I wasn’t really interested in that. I wasn’t interested in business and I was almost like, “Oh, this is just something that constrains you and doesn’t let you explore ideas as freely.” That’s remembering how I thought then, not how I think now. At Eyebeam, I would do a project, it would go well, and then at the end of the project I would have zero budget again and have to start back at zero.

Kenny [Lerer] was the one that got me excited about doing business. I wasn’t interested in Huffington Post primarily as a business. I was like, “Oh, it’s a cool new opportunity. It’s something different. I’ve been at Eyebeam for a long time. We’ve had this Bush guy in office for a long time.”

He also talks about the nature of success, and the idea that a technology platform is the most important aspect of any digital publishing business.

FS: How much of HuffPost’s success do you ascribe to tech, you being able to do stuff on the tech side which no one else could do?

JP: People always overestimate their importance to the success of the company. When you talk to the people who are on the sales side, they say, “Well, you know, we drove revenue. That allowed us to invest in all these things. None of the rest of the company would have even been possible if we hadn’t driven that revenue.”

You ask the tech people, the product people, they say, “That’s the competitive advantage of the company. All the other companies had great editors but we had the better tech.” Then you ask people who are on the editorial team and they say, “Well, if you get a scoop, people have to link to it no matter where it is. Great editorial content is really what drives the traffic. The CMS, it can be broken and then stop you from being successful, but if it’s good enough, then edit really is the key and so we really drove a lot of the success.”

In some cases, there’s things that aren’t even measurable. Like maybe just having tech, edit, and business teams communicating effectively, is more important. The lines might be more important than the dots.’

At one point, Salmon took an opportunity to give a tiny glimpse into what his new employer Fusion is doing, regarding the kind of management infrastructure that’s necessary to build something new:

FS: I think we’re doing that at Fusion, as well. I think that Fusion is being set up in Miami, which is quite a long way from the more conventional media centers. The Fusion digital team in New York, again, is away from the Fusion TV bit in Miami. The distance can help. It can allow you to be a little bit more innovative and dynamic.

But some of the most interesting questions Salmon asks are about the editorial decisions at BuzzFeed, questions that are often lost in the flood of interest about their business and technology strategies. For example, the much talked about but little understood no-haters policy, in Peretti’s words:

JP: We tend to be enthusiastic and we tend to avoid snarky articles about mediocre things.

It’s not like there’s some hard rule. In general, we tend to avoid a post that is designed to make the author feel smart and superior and the reader to vicariously feel smart and superior because a Hollywood film is mediocre or because something in culture is mediocre.

FS: Honest enthusiasm is a sort of default stance at BuzzFeed.

JP: If there’s something that is worth someone’s time that is interesting and is worthy of being excited about, we should cover that. If there’s an egregious miscarriage of justice or corruption or fraud or something that needs to be investigated, those are both strong things. In the middle, there’s a lot of things that are kind of a waste of time. Mediocre things that you can write cynical comments about.

(In true no-hater fashion, Peretti refuses to take the bait when Salmon asks him why Nick Denton says the two are in a “blood feud.” Competition is good, says Peretti, and he seems to have a lot of respect for companies like Vox and Vice. Peretti is, at one point, critical of The New York Times’ innovation report, saying it should have focused more on editorial, which some Times employees seem to agree with.)

Salmon also asks Peretti to explain how the well-known focus on metrics at BuzzFeed influences what they do and don’t cover. Peretti says they have creative editorial meetings about ideas in which metrics play no role. But at the same time, every BuzzFeed piece has a different maximum audience, and the goal is to reach every person who might be interested in a piece of content.

JP: I feel like what you see in the industry now is people jumping around and trying to find the God metric for content. It’s all about shares or it’s all about time spent or it’s all about pages or it’s all about uniques. The problem is you can only optimize one thing and you have to pick, otherwise all you’re doing is making a bunch of compromises if you try to optimize for multiple things. So you pick the one that matters and maybe you have minimum thresholds for a few others. The problem with that is that the natural inclination, if one metric is seen as the important, true metric —

FS: Is to game it.

JP: Is to game it. And then when you game it, you essentially are creating a fake version of that metric.

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