Nieman Foundation at Harvard
HOME
          
LATEST STORY
PressPad, an attempt to bring some class diversity to posh British journalism, is shutting down
ABOUT                    SUBSCRIBE
Oct. 31, 2018, 9:54 a.m.
Reporting & Production

New York Times and chill: With a new video series, the paper pushes for binge-watching

“We’re a subscription business, so we’ve been looking a lot at binge-watching and creating a body of work that, when people find one, they will spend time with multiple episodes.”

“Binge-watch” and “The New York Times” might not immediately seem to go together. But this week the paper launched the second season of Conception, an animated video series aimed at parents, and binge-watching a few episodes is in fact exactly what the team hopes you’ll do.

Each of the six episodes of the second season of Conception is about four minutes long and focuses on the trickiness of parenting in 2018: “What is it like to parent in the context of major cultural, social and political shifts, such as #MeToo, the immigration discussion, the opioid crisis and the gun debate? How do we raise children in a world that already sees them — and you — in a certain way?” The format of each episode is the same: One parent’s story, in their own words and voice, told over animation. Here, for instance, is “Why I Won’t Teach My Son ‘Black Codes.'”

The audio for each episode is distilled from a long (between 90 minutes and three hours) in-person interview conducted by Times visual journalist and editor Margaret Cheatham Williams, who came up with the idea for the series in the first place.

“We’re a subscription business, so we’ve been looking a lot at binge-watching and creating a body of work that, when people find one, they will spend time with multiple episodes,” said Nancy Donaldson Gauss, the Times’ executive director of video. In the first season of Conception, 10 percent of viewers watched three or more episodes in one session. Releasing episodes in batches, as curated playlists, was key for enabling that behavior.

The big social and video platforms are a part of the Times’ promotion of the series, but only a part, said Francesca Barber, director of audience growth and programming for video. For instance, the Times will also post some of the episodes as Instagram Stories, and it will post clips to Twitter. It will also release one episode per week, for six weeks, to YouTube. But the main goal is to keep readers on the Times’ site — so Conception will be promoted across multiple Times newsletters and on article pages.

“The fact that we are able to create this binge-watching behavior on our platform is really unique and exciting for us,” said Barber. “That’s something that we’re continuing to look at.”

Laura Hazard Owen is the editor of Nieman Lab. You can reach her via email (laura_owen@harvard.edu) or Twitter DM (@laurahazardowen).
POSTED     Oct. 31, 2018, 9:54 a.m.
SEE MORE ON Reporting & Production
Show tags
 
Join the 60,000 who get the freshest future-of-journalism news in our daily email.
PressPad, an attempt to bring some class diversity to posh British journalism, is shutting down
“While there is even more need for this intervention than when we began the project, the initiative needs more resources than the current team can provide.”
Is the Texas Tribune an example or an exception? A conversation with Evan Smith about earned income
“I think risk aversion is the thing that’s killing our business right now.”
The California Journalism Preservation Act would do more harm than good. Here’s how the state might better help news
“If there are resources to be put to work, we must ask where those resources should come from, who should receive them, and on what basis they should be distributed.”