Linking content and format will be key

“To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core.”

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

S. Mitra Kalita

Kristen Jeffers

Moreno Cruz Osório

Candace Amos

Chicas Poderosas

Wilson Liévano

Alice Antheaume

Simon Galperin

j. Siguru Wahutu

Melody Kramer

Joanne McNeil

James Green

Joshua P. Darr

Jody Brannon

Kristen Muller

Natalia Viana

Megan McCarthy

Mary Walter-Brown

Doris Truong

Andrew Freedman

Jessica Clark

Richard Tofel

Don Day

Stephen Fowler

Matt Karolian

Jesenia De Moya Correa

Victor Pickard

Rachel Glickhouse

AX Mina

Eric Nuzum

Robert Hernandez

Mike Rispoli

Joe Amditis

Sarah Marshall

Tony Baranowski

Rasmus Kleis Nielsen

Gordon Crovitz

Sarah Stonbely

Janelle Salanga

Julia Munslow

Joy Mayer

Cristina Tardáguila

Errin Haines

Gonzalo del Peon

Simon Allison

Jennifer Coogan

Gabe Schneider

Jim Friedlich

David Cohn

Brian Moritz

Izabella Kaminska

Cindy Royal

Mario García

Ariel Zirulnick

Anita Varma

A.J. Bauer

Nikki Usher

Francesco Zaffarano

Tom Trewinnard

Paul Cheung

Amara Aguilar

Julia Angwin

Matt DeRienzo

Tamar Charney

Christina Shih

Shalabh Upadhyay

Anthony Nadler

Amy Schmitz Weiss

Ståle Grut

Parker Molloy

Zizi Papacharissi

Sam Guzik

Matthew Pressman

Laxmi Parthasarathy

Larry Ryckman

Jesse Holcomb

Meena Thiruvengadam

Catalina Albeanu

Chase Davis

David Skok

Stefanie Murray

Kendra Pierre-Louis

Joni Deutsch

Millie Tran

Shannon McGregor & Carolyn Schmitt

Michael W. Wagner

Mandy Jenkins

Anika Anand

Raney Aronson-Rath

Jonas Kaiser

Jennifer Brandel

Cherian George

Burt Herman

Kathleen Searles & Rebekah Trumble

Kerri Hoffman

Christoph Mergerson

Whitney Phillips

Juleyka Lantigua

John Davidow

Daniel Eilemberg