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Sept. 6, 2013, 1:28 p.m.

New York Times Company CEO Mark Thompson was back in his native U.K. today to give an address at the Reuters Institute for the Study of Journalism, which is celebrating an anniversary of its fellowship program. Here’s the full text (pdf) of his prepared remarks. Here are a few of the items I thought were most worth highlighting:

Classified evaporation

One statistic that is still startling even if, by now, it’s hardly surprising: In 2000, The New York Times generated $204 million in help-wanted advertising. In 2012? $13 million, a decline of 94 percent.

Nothing Compares 2 Times

Thompson shares a bit more about the Times’ project-in-progress Need 2 Know. (I sincerely hope that that his prepared remarks are mistaken and it’s actually “Need To Know” — or else he’s been listening to a lot of Prince slow jams.)

One of the new ideas is a project with the working title of Need 2 Know. Though it will be available on all digital platforms, we’re developing it for mobile, and particularly smart-phone first, and it’s intended to offer users the perfect briefing not just on the news that’s already happened but on the events and stories up ahead that our editors have already got their eye on, and to it with its own voice and its own flavour. If you’ve caught the ‘New York Today’ feature in the Metro section of our website, you’ll have an idea of what that flavour could be.

I do like the idea of more and better summarization products — but I wonder how easy they’ll be to monetize. (A roundup of news links, service-y news-you-can-use, and some editorial flavor can be great — but it’s also not that hard to duplicate.)

Passing the controls overseas

Control of NYTimes.com and related digital products will no longer rest solely in midtown Manhattan:

Our newsrooms around the world are already working far more closely together than before and editorial control of the global edition of the Web site will be handed over, for the first time, to Jill and Andy’s teams in London, Paris and Hong Kong.

Aiming high with video

Some interesting details on video strategy: Thompson doesn’t seem to be a huge fan of the two-journalists-talking-about-a-story model for newspaper video:

Newsroom or studio-based video talk — which The Times has experimented with over the years and which both the Wall Street Journal and the Huffington Post are spending heavily on at the moment — can work well when there’s a big and real-time event to talk about. I thought that The Times’s video coverage of last autumn’s election, combining news feeds of some of the key moments with cogent analysis, worked very well — and it certainly drove impressions. But, as the twenty-four hour TV news teams discovered many years ago, there’s nothing quite as dull as journalists talking to each other on video when nothing is happening.

He promotes high-end productions like Op-Docs — which would seem to indicate the Times will treat video like text and keep aiming at the high end of the market, leaving the HuffPost Lives of the world to generate thousands of hours of cheap-to-produce talk-show-style video a year.

Also: “We are currently leaving money on the table because we don’t yet have enough video-advertising opportunities to sell.”

Play on

Interesting: The Times will expand into “smart games, building out from our crossword franchise and its remarkable success as an independent digital subscription play.”

We’re not Twitter

Here’s Thompson on the Times’ differentiation from Twitter as a news provider:

Once, and not so long ago, different papers, TV channels and news websites competed for who was going to be first with the really big breaking story. Now we know in advance where that story’s almost certainly going to appear first – Twitter and sites like it. They usually beat us all.

And yet the problem with Twitter is you don’t just get the news, you get everything else as well: uncorroborated but potentially precious eye-witness testimony and citizen journalism, but also rumour, speculation, disinformation, propaganda, lies and general nuttiness. Just a few years ago, it was sometimes suggested that the world’s professional journalists might well soon be replaced by a kind of Wikipedia of news, reported and curated by a global army of publicly spirited amateurs. But quite apart from issues of political and cultural bias and objectivity, it turns out that what we face in a major unfolding hard news story is a vast, roiling sea of actuality, with fresh breakers crashing in every few seconds and with both truth and narrative often fiendishly hard to pick out.

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Is Aaron Kushner thinking of getting out of L.A.? The owner and publisher of the Orange County Register and the Los Angeles Register told an audience at the Portada Hispanic Advertising and Media Conference he’ll be considering the paper’s future:

Aaron Kushner, CEO of Freedom Communications, said that he will evaluate “in the next few weeks” whether the Los Angeles Register has a viable future as a daily. The Los Angeles Register was launched in April of this year in the Los Angeles, CA market, where it competes with other dailies including the Los Angeles Times. Kushner’s comments, which were made during an on-stage interview conducted by Portada publisher Marcos Baer during Portada’s 8th Annual Hispanic Advertising and Media Conference, are the first explicit references by Freedom Communications CEO about the possibility of discontinuing daily publication of the Los Angeles Register.

The paper’s had a rocky existence so far, and the timing of Kushner’s remarks will probably only fuel rumors about the fate of the paper. The Los Angeles Register debuted in April, but by June Freedom had instituted a company-wide furlough program and was offering voluntary buyout packages.

Of course, evaluating can mean a lot of things. But that Kushner would say he’s evaluating the status of the L.A. paper, rather than praising the investment, chastising critics, or trying to stoke an old-fashioned newspaper war, is no small sign. Kushner also told the crowd Freedom Communications’ weekly papers, along with dailies like the OC Register and The Press Enterprise are responsible for “low single-digit revenue growth rate” at the company.

Update, 9/23: Well, that was quick:

The Los Angeles Register, which launched in April as part Aaron Kushner’s bold bet on print newspapers, will cease publication, effective immediately.

Orange County Register co-owner Aaron Kushner announced the decision Monday night in a memo sent to employees.

“Pundits and local competitors who have closely followed our entry into Los Angeles will be quick to criticize our decision to launch a new newspaper and they will say that we failed,” said the memo, signed by Kushner and his Freedom Communications co-owner Eric Spitz.

“We believe, the true definition of failure is not taking bold steps toward growth.”

The memo hints at layoffs, but provided no specific details.

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The American Press Institute’s Lisa Zimmerman has a detailed piece that tries to answer that question. And the solutions don’t always have to involve big investments in technology; here’s one take from Spokane:

The Spokesman-Review in Washington State changed its commenting policy in August 2014. “We no longer will allow comments to be posted on national or international stories, or letters to the editor,” wrote editor Gary Graham, noting that the comments will be allowed on local stories, staff blogs and staff columns, but that these discussions will no longer take place beneath the content. Instead readers now click the link provided where they are brought to a separate page for discussion.

Graham said the two goals behind these changes were to “encourage more constructive and civil discourse on local issues” and to reduce the amount of time staff spend monitoring comments. “It’s no secret that our newsroom ranks are much smaller in the wake of the economic tsunami that has wreaked havoc on the industry, and time spent moderating comments is time we cannot spend on research, reporting and editing,” he wrote.

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The Economist offers an interesting perspective today on the flip side of the wonky data journalism craze. While traditional newsrooms and media startups sift through spreadsheets and build interactive graphics and apps, think tanks — they of the traditionally dry, analytical white paper — have increasingly come to resemble digital news sites themselves. From the magazine:

Foreign Policy, a magazine, now runs “Democracy Lab”, a website paid for by the Legatum Institute, a think-tank based in London. It has a modest budget for freelancers. In June the Centre for Policy Studies, a think-tank co-founded by Margaret Thatcher, launched “CapX”, which publishes daily news and comment on its website and by e-mail. The Centre for European Reform, a think-tank founded by Charles Grant (formerly of The Economist), publishes pieces with gripping headlines such as: “Twelve things everyone should know about the European Court of Justice”.

It’s not especially surprising that think tanks and NGOs have begun to realize the value of producing fresh Takes. It’s the best way to remain a part of the conversation, which is essential if what you’re trying to do is shape opinion and influence policy. But not all the work these organizations are producing is mere content — in fact, think tank employees can fill some of the void left by ever-shrinking international reportage.

Human Rights Watch, which investigates abusive governments, recently published a series of articles on the plight of the Yazidis in Iraq. [,..] Nathan Thrall, the ICG’s Middle East analyst, based in Jerusalem, has written about the conflict in Gaza for, among others, the New York Times and the London Review of Books.

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LINK: comicsalliance.com  ➚   |   Posted by: Justin Ellis   |   September 17, 2014

The Guardian is giving new life to the traditional newspaper comic strip with The Last Saturday. Instead of Marmaduke or the ongoing exotic adventures of Mark Trail, The Last Saturday is a weekly graphic novella made to be read in print and online.

Created by the Eisner Award and Harvey Award winner Chris Ware, the episodic comic is blown out in vivid color and rich detail, with stories following the daily lives of people in the town of Sandy Port, Michigan. Ware is no stranger to collaborating with newspapers; part of his graphic novel “Building Stories” was serialized in The New York Times Magazine.

chris-ware-guardian-comic

As Comics Alliance notes, the Guardian may be trying to find better ways to make Ware’s work more tactile and engaging in digital formats:

‘The Last Saturday’ is an interesting format experiment. The first page doesn’t offer much more than a digital magnifier (primarily for mobile readers) and some unorthodox panel orientations, as is standard for Ware’s work, but considering that The Guardian’s “interactive team” is developing functionality for the comic, there’s a possibility that the comic could take advantage of the online format in all sorts of interesting ways.

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LINK: bbcpopup.tumblr.com  ➚   |   Posted by: Justin Ellis   |   September 11, 2014

The business of journalism looks a lot like a game of Risk right now, as media companies are angling for position with new sites and bureaus around the globe. Quartz and The Huffington Post have both recently set up shop in India. BuzzFeed plans to use its new funding to expand its overseas reporting footprint, and this week Politico announced it was partnering with Axel Springer to launch a Europe-focused politics site.

bbcnewsWith so much globetrotting it only makes sense that foreign news outlets would turn their eyes to the United States. The BBC set off on one adventure this week with BBC Pop Up, a mobile (in the on-the-move sense, not the iPhone 6 sense) reporting project where journalists will report from a series of U.S. cities over the next six months. Like any good pop up restaurant, the BBC’s plans are simultaneously ambitious but also limited: the BBC team will file stories for online, shoot video for broadcast, and work with locals to uncover unreported stories. It’ll do all of that in one month before moving on to the next town. The first stop is Boulder, Colo. The Ringling Brothers would be proud.

For an organization as large as the BBC the pop up bureaus are a relatively low risk/high reward proposition. It gets the BBC wider exposure in the United States as something other than the place that broadcasts Gordon Ramsey and Doctor Who, but also serves as a test for whether there is a broader appetite for their reporting in the states.

As far as experiments go, it’s still curious why a news organization that already has large bureaus throughout the United States, not to mention various language services around the world, would put on a roadshow. As Matt Danzico, head of the BBC innovation lab explains, the pop up project is about building a bridge to a new type of audience:

In the 21st Century, creating video for television from cities like Washington, New York and/or Los Angeles is definitely an effective way of reaching traditional media consumers in those markets. But if you’re also trying to reach younger generations in Colorado, for instance, why not create gripping video from the state that’s of interest to a global audience?

And now you’ve not only provided interesting programming to your traditional audience but you have also sparked the interest of an entirely new community as well.

Do that for one month at a time. Post your videos to local social media. Move cities. Repeat.

Yes, BBC News has 44 foreign bureaus in a heap of cities around the world. But the world has nearly 3,000 cities with a population over 150k. So why not create a mobile bureau that can embed itself in a community and then relocate easily?

Here’s a look at what they have in store:

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