Bill Wasik’s new book: The view from atop the spike of viral culture
Three pages into his new book, Bill Wasik presents the first of several charts illustrating the “telltale spike” of viral culture on the Internet — that is, a dramatic burst of attention around one piece of content followed by interest that doesn’t so much taper as tumble. You know this spike well, even if you’ve never seen it: in visits to Michael Jackson’s Wikipedia page or Google searches for “swine flu.”
The intent of these charts — “Fig. 1.3 — Media References to Flash Mobs, by Week,” “Fig. 3.8 — The Spike (Again)” — isn’t just to describe the fickle nature of popularity on the web. Wasik argues that our very understanding of the spike is integral to how online content is produced and consumed: “They” — he means we — “are so acutely aware of how media narratives themselves operate, and of how their own behavior fits into these narratives, that their awareness feeds back almost immediately into their consumption itself.” Has anyone ever shared a “viral video” with you by describing it as such? Sure, right? All the time. I’ll click on anything if you tell me it’s popular.
The self-consciousness of viral culture is Wasik’s strongest point in And Then There’s This. He finds meta-awareness, for instance, in the most-emailed lists on news websites, which have become not just measures of popularity but grist for reporters to craft the ultimate viral article. In the video above, Wasik tells me, “I think there’s a way that the Internet lays bare the process of things becoming popular in a way that people kind of see and they analyze and they think about and they cotton to it.” On the Internet, everyone knows if your content is a dog.
In his book, Wasik visits creators of viral content — part of a “subculture of meme-makers,” he says — who seem ripped from a Don DeLillo novel. He observes that political news sites have increasingly adopted “insidery” names: Talking Points Memo, Politico, The Note. Their reporting, too, often focuses on the mechanics of politics, and Wasik would trace that back to the telltale spike: an attempt to climb aboard a “nanostory” — his coinage — on its way up. (It’s instructive to read the essay that Salon published upon the arrival of Slate in 1996, criticizing the site’s “meta-commentary, game-oriented, inside-baseball” approach to news. That was once a novelty.)
For news organizations, the implications of viral culture are fraught with moral questions of duty, purpose, and whether it’s OK to be (god forbid) popular. We talk more about those issues in subsequent videos, but my general perspective is this: Knowing what makes content popular online, having that meta-awareness, latching onto narratives developed by the crowd, attempting to manufacture virulence — those are essential duties of a news site, not something to be shied away from, as Wasik ends up arguing. But we’ll get to that. Today is just an introduction to his ideas. A transcript of the video is below. Keep reading »










