Nieman Foundation at Harvard
HOME
          
LATEST STORY
With VuHaus, public music stations hope collaboration will bring in more listeners (and money) online
ABOUT                    SUBSCRIBE
Aug. 4, 2011, 2 p.m.

The latest on The Slatest: Slate’s aggregation feature posts big traffic gains since its April relaunch

“More is definitely more when it comes to news on the Internet.”

Screen shot of the new Slatest

Late on May 1, just days into its big relaunch, The Slatest got a gift it couldn’t have asked for: Osama bin Laden was killed. Josh Voorhees, The Slatest’s dedicated blogger and editor, pumped out four dozen updates in 18 hours while Slate reporters got to work crafting the story’s second-day narratives. May 2 ended up being The Slatest’s biggest ever traffic day.

“The fact that we were able to have stories like that right away, when people were so voraciously interested, was a great gain for Slate’s overall coverage,” said Katherine Goldstein, the Slate innovation editor who ran The Slatest’s relaunch.

What’s she’s more proud of, though, is what came next: “We’ve been able to grow those numbers beyond a newsy bump in May.”

In the three months since Slate reimagined The Slatest — itself a reimagining of Slate’s iconic aggregation feature, Today’s Papers — the section’s numbers are up across the board, Goldstein told me. Pageviews are up 43 percent, Google referrals up 47 percent, Facebook referrals up 79 percent, and Twitter referrals up a whopping 86 percent. And all during the typically slow summer news season.

This April’s redesign of The Slatest was Slate’s attempt to catch up to competitors in a space that Slate arguably invented in the 90s: aggregation. In addition to bringing on Voorhees, The Slatest underwent a number of editorial, visual, and technical changes. The homepage got bigger, bolder photos and graphics, à la HuffPo. It became more like a blog, replacing thrice-daily news summaries with individual story write-ups. Story pages also now feature more prominent sharing tools. Goldstein thinks that helps explain the section’s big Facebook and Twitter bumps: Readers are more likely to share stories than link roundups.

And as Slate editor David Plotz told me in April, The Slatest’s URLs were rewritten to “shine in the dark like neon to Google.” Links now include story slugs, not ID numbers, an improvement that’s slated, if you will, to go site-wide next month. Referrals and search traffic, Goldstein said, now make up a larger share of Slate’s overall traffic.

One surprise: Goldstein didn’t expect so many readers to complain after Slate cut back its email newsletter from three editions a day to one. They wanted more email, it seems, not less. “People really have come to have a habit of relying on the newsletter for their news, and that’s a way we have sort of habituated people,” she said.

The newsletter is now sent twice a day, at about 10 a.m. and 5 p.m. Newsletter clickthroughs in July were up 72 percent over April, according to Goldstein’s data, thanks in part, she thinks, to a redesign of the letter itself that makes stories more irresistibly clickable.

The audience has also made it clear that there’s no such thing as too much news, Goldstein said. At first the team worried about over-saturation — turning off an audience that appreciates Slate’s take-a-deep-breath sensibility. Not so. “We’re now at 12-ish or so items a day, whereas we started with about seven or eight,” she noted. “We found that it gives us more opportunity to reach people, do different kinds of stories.”

Or, put another way: “More is definitely more when it comes to news on the Internet.”

POSTED     Aug. 4, 2011, 2 p.m.
SHARE THIS STORY
   
Show comments  
Show tags
 
Join the 15,000 who get the freshest future-of-journalism news in our daily email.
With VuHaus, public music stations hope collaboration will bring in more listeners (and money) online
“NPR’s capacity is really in news and the spoken word, and it’s very active on the cultural side, but not organized around music. There was a sense we either needed to work with each other or have a hard time competing at all.”
Could email newsletters be a partial solution to magazine companies’ problems? (Toronto Life thinks so)
Following the success of Twelve Thirty Six, Toronto Life is looking more closely at email newsletters as standalone products.
Coda Story, focused on deep dives around single themes, is now tackling a “post-truth” Eurasia
The platform is focusing on two major themes — disinformation campaigns in Eurasia and the migrant crisis in Germany — and focusing on larger character-driven narratives.