Nieman Foundation at Harvard
HOME
          
LATEST STORY
How South Africa’s largest digital news outlet plans to cover the chaotic 2024 election
ABOUT                    SUBSCRIBE
May 14, 2010, 6:33 p.m.

Links on Twitter: NYT sets a date for its paywall, 2-minute guide to privacy on Facebook, display ads up 15% in Q1

Facebook and “radical transparency”: @zephoria on the site’s privacy crisis http://j.mp/bmiCP2 »

In reversal of previous ruling, CA judge unseals Gizmodo-iPhone search warrant (via @dangillmor) http://j.mp/9xAlFO »

The 2-minute guide to protecting your privacy on Facebook (via @10000Words) http://j.mp/9dRK48 »

Targeted content for a targeted audience: a DC startup covers the DOJ. And only the DOJ. http://j.mp/aVrMas »

Synapse looks to sell magazine subscriptions via Facebook http://j.mp/99EvB3 »

Aol to investors: Our turnaround is going to be slow http://j.mp/b6g0FB »

American web users received 1 trillion display ads in Q1, up 15% from a year ago http://j.mp/aiUzPb »

Schmidt to Google shareholders: display advertising is “probably our next huge business” http://j.mp/bxTYqD »

Wikimedia receives $1.2M grant “to improve the quality of public policy-related articles on Wikipedia” http://j.mp/aCqmBb »

Wal-Mart may begin selling iPads later this year (via @iwantmedia) http://j.mp/bgZHFr »

They’ve set a date: NYT will begin charging for online access in January 2011 http://j.mp/8XtlS8 »

 
Join the 60,000 who get the freshest future-of-journalism news in our daily email.
How South Africa’s largest digital news outlet plans to cover the chaotic 2024 election
“There is definitely anticipation in the air of change — not radical change, but some change.”
Postcards and laundromat visits: The Texas Tribune audience team experiments with IRL distribution
As social platforms falter for news, a number of nonprofit outlets are rethinking distribution for impact and in-person engagement.
Radio Ambulante launches its own record label as a home for its podcast’s original music
“So much of podcast music is background, feels like filler sometimes, but with our composers, it never is.”