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“Journalism moves fast…philanthropy moves slow.” Press Forward’s director wants to bring them together
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June 15, 2010, 6:19 p.m.

Links on Twitter: NYT plans public beta site, ABC doubles adds on its iPad app, Forbes takes a cue from HuffPo

Gannett taking on AOL’s hyperlocal Patch sites? http://j.mp/czq2bP »

We tried to resist passing this along. We no longer can. Enjoy. http://j.mp/cUplvZ »

"Innovative thinking is everywhere in the air here": lots of great projects from Stanford’s @knightfdn fellows http://j.mp/cvPFeG »

Neat site makes the Guardian feel like an iPhone app (swiping action), plus keyboard controls http://j.mp/cyjAOQ »

NYT plans public beta site to test experiments "without the risk of disrupting NYTimes.com" http://j.mp/9tt62w »

ABC doubles the number of ads on shows viewed on its iPad app, resetting expectations for online video http://j.mp/cg5cO3 »

Bloomberg intros NYC Media Lab, a portal to "link the academic and media business worlds" (via @jayrosen_nyu) http://j.mp/cD6jlW »

Forbes goes HuffPo: "editors will increasingly become curators of talent" http://j.mp/bQZNiI »

News Corp. picks up more bricks for paywall http://j.mp/aJUkrz »

The Internet is on course to overtake newspapers in ad revenue by 2014 http://j.mp/b0xdMr »

Twitter rolls out Twitter Places with Foursquare/Gowalla integration http://j.mp/aDTLzA »

 
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“Journalism moves fast…philanthropy moves slow.” Press Forward’s director wants to bring them together
“I see, every week, some example of where the two don’t understand each other. Each of them needs to shift a little bit.”
After criticism over “viewpoint diversity,” NPR adds new layers of editorial oversight
“We will all have to adjust to a new workflow. If it is a bottleneck, it will be a failure.”
“Impossible to approach the reporting the way I normally would”: How Rachel Aviv wrote that New Yorker story on Lucy Letby
“So much of the media coverage — and the trial itself — started at the point at which we’ve determined that [Lucy] Letby is an evil murderer; all her texts, notes, and movements are then viewed through that lens.”