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“Journalism moves fast…philanthropy moves slow.” Press Forward’s director wants to bring them together
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Nov. 1, 2010, 6 p.m.

Links on Twitter: TPM sees mobile traffic bump, Web users don’t like stock photos of people, Foursquare a hit at DC rally

Documentary film director Drea Cooper on visual storytelling and the fine line between journalism and art http://nie.mn/bmovj6 »

The Approval Matrix + the iPad: Highbrow and Brilliant. http://nie.mn/cSNIkh »

"Why confine such a potent idea to one televised event when it could live on so much longer online?" http://nie.mn/bEE4Dk »

MapRoulette? MapCrunch offers a serendipitous slideshow of Google Street View locales http://nie.mn/dbGoqh (via @mathewi) »

What to do with a Twitter star on your staff http://nie.mn/dchFmf »

Ever wondered what a Facebook wall looks like–in real life? Here’s @Mashable‘s http://nie.mn/bkEj49 http://yfrog.com/4xs15p »

This weekend’s Rally for Sanity in DC got nearly 30,000 Foursquare check-ins http://nie.mn/9vHypm »

Fascinating: Web users are drawn to photos of "real people" but ignore stock images of "generic people" http://nie.mn/dz8LO4 (via @zseward) »

TPM now gets about 7% of its total visits from mobile devices–up from 3.5% in Nov 2009 http://nie.mn/d2Mwwx »

Each day, around 1 million new devices—computers, mobile phones, TVs, etc.—are hooked up to the Internet http://nie.mn/cu8xVR »

Blekko, the user-driven search engine, debuts today http://nie.mn/aDJWVo »

 
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“Journalism moves fast…philanthropy moves slow.” Press Forward’s director wants to bring them together
“I see, every week, some example of where the two don’t understand each other. Each of them needs to shift a little bit.”
After criticism over “viewpoint diversity,” NPR adds new layers of editorial oversight
“We will all have to adjust to a new workflow. If it is a bottleneck, it will be a failure.”
“Impossible to approach the reporting the way I normally would”: How Rachel Aviv wrote that New Yorker story on Lucy Letby
“So much of the media coverage — and the trial itself — started at the point at which we’ve determined that [Lucy] Letby is an evil murderer; all her texts, notes, and movements are then viewed through that lens.”