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“Journalism moves fast…philanthropy moves slow.” Press Forward’s director wants to bring them together
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April 15, 2011, 6 p.m.

Links on Twitter: Ebooks top treebooks, college journos skirt censorship

Today In Awesome: College paper cleverly skirts censorship http://nie.mn/fpzZyu »

Another group of journalists who don’t get paid: interns. Should that change? http://nie.mn/iaWs6O »

Flip may be dead, but the iPhone is a robust multimedia reporting tool. Tips from @laurenmichell: http://nie.mn/fw5F5w »

Good, long read: Bill Moyers interviews David Simon about journalism, what he learned from “The Wire” http://nie.mn/i9G2aq »

PBS’ “Need To Know” launches a new web series, “Fixing Journalism.” First up, veteran AP editor Michael Oreskes: http://nie.mn/hZ6Yiz »

Wired for iPad is free this month and the issue just dropped in iTunes http://nie.mn/fmy5vZ »

Ebook sales topped all other formats in February, including hardcover and paperback — but there are caveats http://nie.mn/e1AQL2 »

Tomorrow is “Foursquare Day” in many cities. Should provide lots of data for Fearsquare, the social crime network http://nie.mn/h9RRB2 »

Twitter’s @biz responds to bad press: “The normal press cycle is to put a company on a pedestal … then knock it down.” http://nie.mn/hVpdoj »

Funding of public broadcasting survives the 2012 budget, though not unscathed http://nie.mn/gcYF9E »

The man suing Arianna Huffington for not paying bloggers doesn’t pay bloggers http://nie.mn/f18C0h »

 
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“Journalism moves fast…philanthropy moves slow.” Press Forward’s director wants to bring them together
“I see, every week, some example of where the two don’t understand each other. Each of them needs to shift a little bit.”
After criticism over “viewpoint diversity,” NPR adds new layers of editorial oversight
“We will all have to adjust to a new workflow. If it is a bottleneck, it will be a failure.”
“Impossible to approach the reporting the way I normally would”: How Rachel Aviv wrote that New Yorker story on Lucy Letby
“So much of the media coverage — and the trial itself — started at the point at which we’ve determined that [Lucy] Letby is an evil murderer; all her texts, notes, and movements are then viewed through that lens.”