Nieman Foundation at Harvard
Postcards and laundromat visits: The Texas Tribune audience team experiments with IRL distribution
ABOUT                    SUBSCRIBE
Sept. 15, 2014, 10 a.m.
Reporting & Production

Little magazines gone digital: How the late-adapting literary press has made its way in the web age

They punch above their weight in reach and influence. What’s it like to run a little online magazine in 2014?

Sometimes it’s a challenge to feel satisfied with the state of the web and the writing therein. When we look at the headlines, the thinkpieces, the gifs, the desperate pleas for engagement, things can seem dire. A sense of ennui takes over. It’s happened to all of us.

This feeling often makes readers long for something more. Where does truly good, truly smart, truly informed writing live? we ask. For many, the answer is the same — small literary and cultural magazines.

Take, for example, an episode from earlier this summer. Kyle Chayka wrote an essay for The Baffler about the proliferation of the thinkpiece, arguing that the emptiness of the genre is eroding journalism. This proclamation was followed by a conversation on Twitter about possible solutions. What’s causing the problem, asked Modern Farmer’s Jake Swearingen? Are metrics — pageviews, clicks, attention minutes — the issue? Is the structure of online advertising to blame? And who, if anyone, is able to resist the temptation of the churn? Where can good content be found?

The Awl Weekend Companion! says The Baffler’s Noah McCormack.! says Swearingen.
The Magazine! says Pacific Standard’s Nicholas Jackson.
BKLYNR! says Shane Ferro.

You sometimes hear that publications like these are the only ones that really care about quality anymore. And what’s more, people say, all it takes is one or two full time editors, a solid team of writers, a small pool of subscribers, and maybe some ad revenue. Right?

So which is it? In the digital age, is running a small, top-quality magazine so easy that anyone with talent could do it, given cheap enough hosting? Or, as with the cultural journals of the print era, are these publications only viable insofar as the staff is willing to live in poverty or lucky to live in privilege? Should small magazines embrace digital, and hope the painstaking pieces they seek to publish can survive in the cacophony of tweets and blog posts? Should they embrace print and relegate themselves to the world of fetish objects and coffee table books? How are these tiny publications, which usually employ no more than three people, able to maintain their outsized reputations and reach?

These are some of the questions I asked a handful of folks who actually run these little magazines. I sat down with John Summers, who recently relaunched The Baffler, to talk about embracing a website redesign despite an ethos that bucks against “innovation.” I spoke at length with Bhaskar Sunkara about how he financed the first issues of Jacobin, and how he rationalizes his socialist politics with his “petty bourgeois” business operations. I got to talk to with the trio of women who (at that time) spent their days running N+1Carla Blumenkranz, Amy Ellingson, and Dayna Tortorici — who are currently celebrating that magazine’s 10th anniversary. I also spoke with David Rose of Lapham’s Quarterly about what high-minded journalism school graduates today don’t but should know about old-school publishing.

In these stories, which will be posted throughout this week, there are no clearcut answers, no overarching theme or solution. If anything, what’s most interesting is how disparate the strategies at play are: This is not an industry with best practices. But despite the challenges, little magazines do endure; the question is: How?

Illustration by Jon Han.

POSTED     Sept. 15, 2014, 10 a.m.
SEE MORE ON Reporting & Production
PART OF A SERIES     Little Magazines
Show tags
Join the 60,000 who get the freshest future-of-journalism news in our daily email.
Postcards and laundromat visits: The Texas Tribune audience team experiments with IRL distribution
As social platforms falter for news, a number of nonprofit outlets are rethinking distribution for impact and in-person engagement.
Radio Ambulante launches its own record label as a home for its podcast’s original music
“So much of podcast music is background, feels like filler sometimes, but with our composers, it never is.”
How uncritical news coverage feeds the AI hype machine
“The coverage tends to be led by industry sources and often takes claims about what the technology can and can’t do, and might be able to do in the future, at face value in ways that contribute to the hype cycle.”