HOME
          
LATEST STORY
Complicating the network: The year in social media research
ABOUT                    SUBSCRIBE
July 18, 2012, 5:43 p.m.
Business Models
Piano Media in Central Europe

Wielki sukces! Piano Media expands its national paywall model to Poland

It’s the biggest market yet for a company building toward unified paywalls across Europe.

Piano Media in Central Europe

Piano Media, the Slovakian company with plans to erect a pan-European paywall, expanded today into its third and largest market, Poland. Seven major media companies have agreed to put some of their content behind a single national paywall.

The company is betting on the cable TV approach to news: Pay once, log in once, get access to a diverse package of content (including stuff you might not care about). Piano gets a 30 percent cut of the proceeds and divvies up the rest based on which partner sites get the most traffic. The company says its model is a success in Slovakia and Slovenia, though it won’t provide sales data.

Forty-two websites are included in the Polish package, including major daily newspapers, magazines, and Polish National Radio. After a free trial period, Piano will charge about $5.85 a month (19.90 zlotys) or about $58 per year (199 zlotys).

Among those sites is Forbes.pl, which is putting about 10 percent of its content — mostly commentary and analysis — behind the paywall. That site’s participation is notable because it’s owned by Ringier Axel Springer, a joint venture that includes Axel Springer, the largest publisher in Europe — which means the potential impact of a success could be much broader.

Aleksy Uchanski, chief digital officer for Ringier Axel Springer Poland, said Forbes.pl makes sense as a test site because it offers “premium or super-premium content,” the kind of niche journalism that might persuade Poles to pay. Forbes.pl wants to avoid walling off its whole website, lest new users turn away in droves. This is a cautious experiment for the company.

“Paid content in Poland is a 2012 topic — this is a topic that started this year, more or less,” Uchanski told me from his office in Warsaw. People are not accustomed to paying for news. Piano hopes the convenience of a single, low-cost subscription will help reset years of consumer expectations about free content. (That problem is not unique to Poland, I assured him.)

It gets more complicated: “A lot of people (in Poland) still don’t have credit cards,” Uchanksi said, “while others are still extremely afraid of using credit cards in online transactions.” A popular payment method is by way of SMS, in which users pay for services by tacking the fee on to a cellphone bill. Polish telcos take a staggering 50 percent cut of each payment, which means SMS payments are a non-starter for Piano. (Piano accepts SMS payments in Slovakia and Slovenia, where telcos take a 20 percent cut of each payment.)

Peter Richards, who is managing the Poland expansion for Piano, says he aims to convert 0.5 to 1.5 percent of Poles to paying users. “Based on our data after 14 months of operations, there are definitely high income, educated, urban users who comprise this 1% average,” he wrote in an email. “If we have half of the Polish Internet in our package at launch, then one could assume it’s possible that 100,000 Poles could pay. The real question is whether they see value for the money they pay and in our case for the price of two coffees you can have access to 42 websites.”

Richards said he found 40 percent of printed content in Poland is not made available online. Some publishers plan to offer paid access to this material, a unique selling proposition. For publishers in Poland or anywhere, the fear of erecting a paywall is that it will cut into pageviews, which sell ads. Piano does not “cannibalize ad revenues but provides a new revenue stream to publishers,” Richards said. The company provides reams of data and market research to help publishers determine which content goes premium.

“It’s a bit of a craps game when you launch,” he said. “We conduct a detailed content analysis of the site using quantitative and qualitative techniques. Publishers get a massive report explaining our rationale for including a particular piece of content in Piano’s system. Ultimately it’s up to them to decide what to close.”

Poland, with 38 million people and 19 million Internet users, is a big leap in scale for Piano, compared to Slovakia’s 5 million people and Slovenia’s 2 million. Like its predecessors, though, Poland is a single-language country whose media is relatively isolated — likely a better fit for a national paywall than other, larger European countries. Piano would probably have a much tougher time in the geographically expansive, multilingual United States. (Can you imagine Dow Jones and The New York Times Co. agreeing to unite behind a common paywall?)

Uchanksi said he has no fixed expectations for Forbes.pl; he does not yet know what a “successful” number of subscribers would be. The site attracts about 400,000 unique visitors per month, Uchanski said, and about 2 million page views. Ringier Axel Springer runs news sites 10 times that size, he said. He will study the data carefully over the next several months.

“How does [a] paying user behave in this situation? How does [a] nonpaying user behave? How much do paying users want to spend? And what’s the retention rate of those users? Et cetera. I don’t have a feeling that this is a ready-made business model. It’s a beginning,” Uchanski said.

Piano says it is “in negotiations with publishers on several continents” and plans to launch in another market by the end of 2012.

POSTED     July 18, 2012, 5:43 p.m.
SEE MORE ON Business Models
SHARE THIS STORY
   
Show comments  
Show tags
 
Join the 15,000 who get the freshest future-of-journalism news in our daily email.
Complicating the network: The year in social media research
Journalist’s Resource sifts through the academic journals so you don’t have to. Here are 12 of the studies about social and digital media they found most interesting in 2014.
News in a remix-focused culture
“We have to stop thinking about how to leverage whatever hot social platform is making headlines and instead spend time understanding how communication is changing.”
Los Angeles is the content future
“Creative content people are frustrated with the industry and creating their content on their own terms. Sound familiar?”
What to read next
500
tweets
Complicating the network: The year in social media research
Journalist’s Resource sifts through the academic journals so you don’t have to. Here are 12 of the studies about social and digital media they found most interesting in 2014.
339Finance media’s hottest club is Ello
Business reporters flocking to the platform won’t radically change journalism, but it’s worth asking why users gather where they do.
305Why Google is taking another shot at helping readers pay for news
Google Contributor is the latest tool the company has designed to help readers pay for what they read online. But its previous experiments in supporting paid content have had limited success.
These stories are our most popular on Twitter over the past 30 days.
See all our most recent pieces ➚
Fuego is our heat-seeking Twitter bot, tracking the links the future-of-journalism crowd is talking about most on Twitter.
Here are a few of the top links Fuego’s currently watching.   Get the full Fuego ➚
Encyclo is our encyclopedia of the future of news, chronicling the key players in journalism’s evolution.
Here are a few of the entries you’ll find in Encyclo.   Get the full Encyclo ➚
The Daily Show
Hearst
Financial Times
Kickstarter
Gawker Media
Crosscut
The Bay Citizen
Hechinger Report
The Daily
Mother Jones
National Review
ProPublica