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Oct. 13, 2015, 3:32 p.m.
Audience & Social
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LINK: www.theverge.com  ➚   |   Posted by: Shan Wang   |   October 13, 2015

Few people would have any moral qualms about quoting a single sentence from a 300-page book. But what about making a GIF out of a single play in a three-hour football game?

The NFL apparently feels that crosses the line from fair use into copyright infringement. The Twitter accounts for Gawker-owned Deadspin and the Vox Media-owned @SBNationGIF were suspended last night. (The Deadspin account returned online later in the night, but its suspension still counted as “inarguably, THE WORST REPRESSION OF FREE SPEECH IN THE HISTORY OF MANKIND”. At the time of this post, @SBNationGIF was still suspended.) After much speculation over whether the NFL had directly demanded Twitter shut down the two accounts for posting league footage in the form of gifs or vines, a clearer picture has since emerged over what exactly happened.

sbnationgif-suspended-screenshotReps for the NFL, UFC, and college football’s Big 12 apparently sent takedown notices to Twitter, invoking the Digital Millennium Copyright Act, citing various pieces of copyright-infringing content posted to the @Deadspin and @SBNationGIF accounts. These organizations had sent multiple notices through third-party companies dedicated to scouring the Internet for potentially copyright-infringing content, according to some of takedown notices Twitter provided to Awful Announcing. (Anyone can report what they consider copyright infringing content on Twitter via the DMCA.)

Patricia Aufderheide, a professor at American University and director of its Center for Media & Social Impact, points out that often these copyright claims issued through outside companies hired by sports organizations are pretty common, and nothing terribly new. “Typically this is how takedowns happen — not through any human being,” Afderheide said. “People are handed over databases, and they then scour the web to find matching content, and when that matching content is found, an automatic takedown is sent, all without a real human being ever being involved.”

Aufderheide points to her center’s set of principles for fair use in journalism as a guide for journalists looking for some clearer answers on what content from another person or organization is okay to post and what isn’t.

“It’s a question of, are you substituting for the original purpose, or is there a transformative purpose? Am I in a position where I no longer need to find the original?” Deadspin’s GIFs, she said, could be considered “newsworthy” and a “perfectly plausible way of highlighting what’s significant” about the game in a fun way that makes people pay more attention.

@Deadspin and @SBNationGIF regularly post GIFs and vines of good plays (or just silly ones) from games, and have been doing so for a long time under implicit fair use claims. (Deadspin editor Timothy Burke has never been shy about journalists asserting their fair use rights.) Shouldn’t the NFL be okay with great plays reaching wider audiences, some would argue — isn’t that helping the sport, the same way traditional media coverage has?

But fair use has always proved to be a difficult set of guidelines for publishers, interpreted to varying degrees of strictness by various people, and for some, better safe than sorry. For others, Deadspin and SBNationGIF’s suspensions were out of line (some are now crying foul over NFL’s recent deal with Twitter).

While the Internet and the sports organizations try to figure it all out: RIP, @SBNationGIF. (These were produced using the Officially Licensed™ Madden GIFERATOR.)

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