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Yes, deepfakes can make people believe in misinformation — but no more than less-hyped ways of lying
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April 16, 2012, 2:50 p.m.

This new work, by past/present Berkman Fellows Melanie Dulong de Rosnay and Juan Carlos De Martin, dives into the tension between digital culture — which enables easy sharing and remixing by content consumers — and the copyright-driven backlash to that potential openness.

Here’s a description:

Digital technology has made culture more accessible than ever before. Texts, audio, pictures and video can easily be produced, disseminated, used and remixed using devices that are increasingly user-friendly and affordable. However, along with this technological democratization comes a paradoxical flipside: the norms regulating culture’s use — copyright and related rights — have become increasingly restrictive.

This book brings together essays by academics, librarians, entrepreneurs, activists and policy makers, who were all part of the EU-funded Communia project. Together the authors argue that the Public Domain — that is, the informational works owned by all of us, be that literature, music, the output of scientific research, educational material or public sector information — is fundamental to a healthy society.

The essays range from more theoretical papers on the history of copyright and the Public Domain, to practical examples and case studies of recent projects that have engaged with the principles of Open Access and Creative Commons licensing. The book is essential reading for anyone interested in the current debate about copyright and the Internet. It opens up discussion and offers practical solutions to the difficult question of the regulation of culture at the digital age.

A complete PDF of the book is available at the link above; you can also buy the physical book here.

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