I became convinced that nonprofit was the future of news after watching for-profit newsrooms be decimated by venture capital and legacy media repeatedly harm communities to put out a quick story. Since then, I’ve worked for a string of nonprofit newsrooms — first as a freelancer, then as a fellow, then as an employee, and now as a founder.
What I’ve learned is that, while many nonprofit newsrooms bill themselves as saviors of journalism, they’re deluding themselves as long as they don’t overhaul what their practice of journalism looks like.
The most important thing for a newsroom isn’t being “nonprofit” — it’s about the values it lives up to.
Nonprofit news has enabled significant strides toward more empathetic and community-centered journalism, but many nonprofit newsrooms still perpetuate the same injustices documented in for-profit news. To name a few: A lack of worker protections and unions. Problems with equity and retention. A lack of transparency in hiring. Microaggressions. Racism. Sexism. Ableism. Transphobia. Exclusion.
I’ve also come to know that for-profit news can work as well when structured more democratically, such as with strong unions or cooperative structures. What matters in journalism are the values a newsroom has, the specific ways it lives up to them, and how its leaders hold themselves accountable.
This is not to say I don’t value the tax status or the way nonprofit news organizations have moved the industry forward. The media criticism and reporting outlet I co-founded, The Objective, is currently fiscally sponsored by the Institute for Nonprofit News and seeking nonprofit status.
And nonprofit news has enabled the emergence of an entire class of newsrooms reporting for — instead of on — their communities. Nonprofit outlets like Scalawag, Outlier Media, City Bureau, Sahan Journal, El Tímpano, and Documented have shown what it means to go beyond the tax status. They state their values and stand by them, making journalism that refuses to perpetuate the status quo. They are transparent and aim to be accountable. They explain what they do and why. Like these outlets and others, nonprofit newsrooms need to go beyond arguing that they are creating “impact” and saving democracy and show how they live up to their values.
There are a number of ways to do that while pushing the field forward. Support unions and worker protections. Be transparent in the hiring process and clearly outline salary or pay. Try to understand the power dynamics at play in the newsroom. Seek to dismantle the norms that have contributed to an exclusionary journalism field.
Some nonprofit newsrooms are struggling to exist while others are flush with capital. To the latter, it’s important to say: It’s on you. Offer your fellows healthcare, a living wage, and a way forward to permanent job placement. Pay for the work done in writing and editing tests. Recognize your power in the field and operate with that in mind when evaluating how much you’re willing to invest in staff, communities, and collaborators.
The first nonprofit newsroom in the United States was created in 1977. Nonprofit news isn’t new. It’s a band-aid solution to an ailing profession. In 2022, nonprofit newsrooms explicitly defining and living up to their values is the cure.
Gabe Schneider is lead editor of The Objective and story partnerships manager at Grist.
I became convinced that nonprofit was the future of news after watching for-profit newsrooms be decimated by venture capital and legacy media repeatedly harm communities to put out a quick story. Since then, I’ve worked for a string of nonprofit newsrooms — first as a freelancer, then as a fellow, then as an employee, and now as a founder.
What I’ve learned is that, while many nonprofit newsrooms bill themselves as saviors of journalism, they’re deluding themselves as long as they don’t overhaul what their practice of journalism looks like.
The most important thing for a newsroom isn’t being “nonprofit” — it’s about the values it lives up to.
Nonprofit news has enabled significant strides toward more empathetic and community-centered journalism, but many nonprofit newsrooms still perpetuate the same injustices documented in for-profit news. To name a few: A lack of worker protections and unions. Problems with equity and retention. A lack of transparency in hiring. Microaggressions. Racism. Sexism. Ableism. Transphobia. Exclusion.
I’ve also come to know that for-profit news can work as well when structured more democratically, such as with strong unions or cooperative structures. What matters in journalism are the values a newsroom has, the specific ways it lives up to them, and how its leaders hold themselves accountable.
This is not to say I don’t value the tax status or the way nonprofit news organizations have moved the industry forward. The media criticism and reporting outlet I co-founded, The Objective, is currently fiscally sponsored by the Institute for Nonprofit News and seeking nonprofit status.
And nonprofit news has enabled the emergence of an entire class of newsrooms reporting for — instead of on — their communities. Nonprofit outlets like Scalawag, Outlier Media, City Bureau, Sahan Journal, El Tímpano, and Documented have shown what it means to go beyond the tax status. They state their values and stand by them, making journalism that refuses to perpetuate the status quo. They are transparent and aim to be accountable. They explain what they do and why. Like these outlets and others, nonprofit newsrooms need to go beyond arguing that they are creating “impact” and saving democracy and show how they live up to their values.
There are a number of ways to do that while pushing the field forward. Support unions and worker protections. Be transparent in the hiring process and clearly outline salary or pay. Try to understand the power dynamics at play in the newsroom. Seek to dismantle the norms that have contributed to an exclusionary journalism field.
Some nonprofit newsrooms are struggling to exist while others are flush with capital. To the latter, it’s important to say: It’s on you. Offer your fellows healthcare, a living wage, and a way forward to permanent job placement. Pay for the work done in writing and editing tests. Recognize your power in the field and operate with that in mind when evaluating how much you’re willing to invest in staff, communities, and collaborators.
The first nonprofit newsroom in the United States was created in 1977. Nonprofit news isn’t new. It’s a band-aid solution to an ailing profession. In 2022, nonprofit newsrooms explicitly defining and living up to their values is the cure.
Gabe Schneider is lead editor of The Objective and story partnerships manager at Grist.
Stephen Fowler
Daniel Eilemberg
Joshua P. Darr
Alice Antheaume
Matt DeRienzo
Tamar Charney
Chase Davis
Catalina Albeanu
Sam Guzik
Larry Ryckman
Juleyka Lantigua
Melody Kramer
Rasmus Kleis Nielsen
Kendra Pierre-Louis
Kristen Jeffers
Mary Walter-Brown
S. Mitra Kalita
Ståle Grut
Parker Molloy
Michael W. Wagner
Richard Tofel
Tony Baranowski
Mario García
Kerri Hoffman
Sarah Marshall
Paul Cheung
Jennifer Brandel
Jesenia De Moya Correa
Joni Deutsch
Laxmi Parthasarathy
Jody Brannon
Julia Angwin
Stefanie Murray
David Cohn
Rachel Glickhouse
Robert Hernandez
Mandy Jenkins
Moreno Cruz Osório
Brian Moritz
Jesse Holcomb
Andrew Freedman
Jonas Kaiser
Amy Schmitz Weiss
Chicas Poderosas
Christina Shih
Anthony Nadler
Gabe Schneider
Kristen Muller
Simon Galperin
Joy Mayer
Burt Herman
Jennifer Coogan
Wilson Liévano
Cindy Royal
Francesco Zaffarano
John Davidow
Mike Rispoli
j. Siguru Wahutu
David Skok
Amara Aguilar
Nikki Usher
Errin Haines
Izabella Kaminska
Victor Pickard
Matt Karolian
Simon Allison
Anita Varma
Raney Aronson-Rath
Joanne McNeil
Tom Trewinnard
AX Mina
Kathleen Searles Rebekah Trumble
A.J. Bauer
Natalia Viana
Don Day
Meena Thiruvengadam
Eric Nuzum
Cherian George
Whitney Phillips
Jim Friedlich
Matthew Pressman
Julia Munslow
Doris Truong
Millie Tran
Megan McCarthy
Candace Amos
Anika Anand
Ariel Zirulnick
Zizi Papacharissi
Janelle Salanga
Shannon McGregor Carolyn Schmitt
Christoph Mergerson
Shalabh Upadhyay
James Green
Gonzalo del Peon
Gordon Crovitz
Cristina Tardáguila
Joe Amditis
Jessica Clark
Sarah Stonbely