This will be the year the mainstream media complex — specifically managers and editors — finally begins to understand the ramifications of losing their audience’s trust.
It’s a loss that transcends the Trump and fake news phenomena. Rather, it’s about corrupting forces to which journalists themselves are largely oblivious. Most of the blame, I think, lies with structural, economic, and bureaucratic forces that have come to underestimate editorial risks and misallocate resources in a bid to maximize returns from reach, digitalization, and standardization.
Such forces unwittingly favor — even in the most upstanding organizations — predictable clicks drawn from knee-jerk, and often erroneous, takes that ride the consensus wave, while sensationalizing content and narrowing the public debate spectrum. The result is an eschewing of contrarian quality reads that might be slower to come to market but are much harder to discredit over time because they have been properly researched, considered, and tested. It is simply safer to ride the consensus wave, even in the supposedly high-quality and deeply researched section of the media.
As in banking, there are only so many times a journalistic outlet can misprice a story and suffer a proverbial default before readers begin to lose trust in the publisher in question (such as when the story you’ve been pushing turns out not to be true or badly misinformed). In terms of abuse of public trust, today is analogous to the post-2008 era in banking. Eventually, eyeballs and subscriptions will flow to more credible competition. Indeed, the biggest reason they haven’t yet abandoned the mainstream in sizable volume is that a credible competitor that addresses most of these issues on an economically scaled basis doesn’t yet exist.
To date, most challengers have focused on addressing the symptoms — and not underlying causes — of media discontent. And so, challengers orient themselves towards ever more partisan offerings or those focused on giving a platform to voices rejected by the incumbent system.
Substack is the most prominent of these challengers. It’s carved out a reputation for itself as a neutral platform that is largely indifferent to the politics of any particular writer. Instead, it is happy to give shelter to mainstream journalistic defectors of all shapes, flavors, sizes, and inclinations.
While this is a step forward, it is not a long-lasting solution. This is because Substack’s platform fails to address the credit risk at the heart of the modern-day journalistic quagmire in an economically viable way. The platform’s gated nature and dependence on super-star names, meanwhile, poses editorial scaling challenges.
If journalistic reputations are to be salvaged in the age of disinformation, I believe an entirely new and open model of journalism must be created. It’s a model that will have to address the mispricing of credit at the heart of the trust issue in journalism. In order to work effectively, it will have to reorganize how information is distributed and valued across the internet. Only then can trust be rebuilt in the media system, and can journalism once again be turned into a force for positive-sum growth rather than division, polarization, and distrust.
In 2022, I hope to play a small role in bringing such a system about.
Izabella Kaminska is the outgoing editor of the Financial Times’ Alphaville blog.
This will be the year the mainstream media complex — specifically managers and editors — finally begins to understand the ramifications of losing their audience’s trust.
It’s a loss that transcends the Trump and fake news phenomena. Rather, it’s about corrupting forces to which journalists themselves are largely oblivious. Most of the blame, I think, lies with structural, economic, and bureaucratic forces that have come to underestimate editorial risks and misallocate resources in a bid to maximize returns from reach, digitalization, and standardization.
Such forces unwittingly favor — even in the most upstanding organizations — predictable clicks drawn from knee-jerk, and often erroneous, takes that ride the consensus wave, while sensationalizing content and narrowing the public debate spectrum. The result is an eschewing of contrarian quality reads that might be slower to come to market but are much harder to discredit over time because they have been properly researched, considered, and tested. It is simply safer to ride the consensus wave, even in the supposedly high-quality and deeply researched section of the media.
As in banking, there are only so many times a journalistic outlet can misprice a story and suffer a proverbial default before readers begin to lose trust in the publisher in question (such as when the story you’ve been pushing turns out not to be true or badly misinformed). In terms of abuse of public trust, today is analogous to the post-2008 era in banking. Eventually, eyeballs and subscriptions will flow to more credible competition. Indeed, the biggest reason they haven’t yet abandoned the mainstream in sizable volume is that a credible competitor that addresses most of these issues on an economically scaled basis doesn’t yet exist.
To date, most challengers have focused on addressing the symptoms — and not underlying causes — of media discontent. And so, challengers orient themselves towards ever more partisan offerings or those focused on giving a platform to voices rejected by the incumbent system.
Substack is the most prominent of these challengers. It’s carved out a reputation for itself as a neutral platform that is largely indifferent to the politics of any particular writer. Instead, it is happy to give shelter to mainstream journalistic defectors of all shapes, flavors, sizes, and inclinations.
While this is a step forward, it is not a long-lasting solution. This is because Substack’s platform fails to address the credit risk at the heart of the modern-day journalistic quagmire in an economically viable way. The platform’s gated nature and dependence on super-star names, meanwhile, poses editorial scaling challenges.
If journalistic reputations are to be salvaged in the age of disinformation, I believe an entirely new and open model of journalism must be created. It’s a model that will have to address the mispricing of credit at the heart of the trust issue in journalism. In order to work effectively, it will have to reorganize how information is distributed and valued across the internet. Only then can trust be rebuilt in the media system, and can journalism once again be turned into a force for positive-sum growth rather than division, polarization, and distrust.
In 2022, I hope to play a small role in bringing such a system about.
Izabella Kaminska is the outgoing editor of the Financial Times’ Alphaville blog.
David Skok
Stephen Fowler
Raney Aronson-Rath
Tamar Charney
Jody Brannon
Michael W. Wagner
Mike Rispoli
Izabella Kaminska
Gabe Schneider
Joe Amditis
Jennifer Coogan
Zizi Papacharissi
Tom Trewinnard
Shannon McGregor Carolyn Schmitt
Cherian George
Nik Usher
Sarah Stonbely
Chicas Poderosas
Larry Ryckman
Francesco Zaffarano
Catalina Albeanu
Andrew Freedman
Chase Davis
j. Siguru Wahutu
Anika Anand
Amy Schmitz Weiss
Sarah Marshall
Laxmi Parthasarathy
Rasmus Kleis Nielsen
Rachel Glickhouse
Shalabh Upadhyay
Eric Nuzum
Don Day
Joy Mayer
Matthew Pressman
Jim Friedlich
Julia Munslow
John Davidow
Anita Varma
Ståle Grut
Kathleen Searles Rebekah Trumble
Cristina Tardáguila
Anthony Nadler
Tony Baranowski
A.J. Bauer
Sam Guzik
Jesenia De Moya Correa
Natalia Viana
Melody Kramer
S. Mitra Kalita
Jessica Clark
Mary Walter-Brown
Matt DeRienzo
Gonzalo del Peon
James Green
Ariel Zirulnick
Simon Galperin
Burt Herman
Gordon Crovitz
Mario García
Whitney Phillips
Jennifer Brandel
Joanne McNeil
Amara Aguilar
Parker Molloy
Matt Karolian
Christina Shih
Moreno Cruz Osório
Wilson Liévano
Kerri Hoffman
Alice Antheaume
Megan McCarthy
Mandy Jenkins
David Cohn
Doris Truong
Christoph Mergerson
Cindy Royal
Juleyka Lantigua
Brian Moritz
Kendra Pierre-Louis
Joni Deutsch
Jesse Holcomb
Kristen Jeffers
James Salanga
Errin Haines
Simon Allison
Richard Tofel
Meena Thiruvengadam
Daniel Eilemberg
Millie Tran
Paul Cheung
Jonas Kaiser
Kristen Muller
AX Mina
Robert Hernandez
Julia Angwin
Stefanie Murray
Candace Amos
Victor Pickard
Joshua P. Darr