We remember the importance of face-to-face reporting

“It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.”

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

Jody Brannon

Christoph Mergerson

Kristen Muller

Stephen Fowler

Stefanie Murray

Jesenia De Moya Correa

Shalabh Upadhyay

Ståle Grut

Gabe Schneider

Tamar Charney

Wilson Liévano

Matthew Pressman

A.J. Bauer

Meena Thiruvengadam

Joshua P. Darr

Jennifer Brandel

Simon Allison

Sam Guzik

Rachel Glickhouse

Zizi Papacharissi

Gordon Crovitz

Jennifer Coogan

Anthony Nadler

David Cohn

Ariel Zirulnick

Matt Karolian

Mike Rispoli

Mary Walter-Brown

Larry Ryckman

Paul Cheung

Kathleen Searles & Rebekah Trumble

Izabella Kaminska

Julia Munslow

Tom Trewinnard

David Skok

Sarah Stonbely

Melody Kramer

Sarah Marshall

Daniel Eilemberg

Parker Molloy

Whitney Phillips

Mario García

Millie Tran

Tony Baranowski

Eric Nuzum

Kendra Pierre-Louis

Jonas Kaiser

Candace Amos

Julia Angwin

Amara Aguilar

John Davidow

Joni Deutsch

Moreno Cruz Osório

Jesse Holcomb

Anita Varma

James Green

Matt DeRienzo

Francesco Zaffarano

Juleyka Lantigua

Richard Tofel

Janelle Salanga

S. Mitra Kalita

Doris Truong

Rasmus Kleis Nielsen

Burt Herman

Gonzalo del Peon

Amy Schmitz Weiss

Natalia Viana

Raney Aronson-Rath

Kristen Jeffers

Andrew Freedman

Simon Galperin

Errin Haines

Laxmi Parthasarathy

Shannon McGregor & Carolyn Schmitt

Don Day

Robert Hernandez

Anika Anand

Nikki Usher

Jessica Clark

Alice Antheaume

Megan McCarthy

Cherian George

AX Mina

Joanne McNeil

Catalina Albeanu

Chicas Poderosas

Joe Amditis

j. Siguru Wahutu

Kerri Hoffman

Brian Moritz

Chase Davis

Victor Pickard

Cindy Royal

Cristina Tardáguila

Joy Mayer

Mandy Jenkins

Jim Friedlich

Michael W. Wagner

Christina Shih