We remember the importance of face-to-face reporting

“It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.”

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

Ståle Grut

Anita Varma

Izabella Kaminska

Simon Galperin

S. Mitra Kalita

Sam Guzik

Mike Rispoli

Larry Ryckman

James Green

Burt Herman

Richard Tofel

Millie Tran

Matt DeRienzo

Mandy Jenkins

Megan McCarthy

Rasmus Kleis Nielsen

Jennifer Coogan

Anthony Nadler

David Cohn

Meena Thiruvengadam

Mario García

Victor Pickard

Brian Moritz

Sarah Marshall

Kerri Hoffman

Tony Baranowski

Don Day

Moreno Cruz Osório

Joshua P. Darr

Shalabh Upadhyay

Zizi Papacharissi

Simon Allison

Cherian George

Michael W. Wagner

Mary Walter-Brown

Kristen Jeffers

Wilson Liévano

Jesse Holcomb

Christina Shih

Jody Brannon

Jennifer Brandel

Rachel Glickhouse

A.J. Bauer

Gordon Crovitz

Chicas Poderosas

Catalina Albeanu

Melody Kramer

Joni Deutsch

Francesco Zaffarano

Cindy Royal

Kendra Pierre-Louis

Ariel Zirulnick

Amy Schmitz Weiss

Parker Molloy

Julia Munslow

Joe Amditis

Christoph Mergerson

David Skok

Robert Hernandez

Raney Aronson-Rath

Chase Davis

Stefanie Murray

Janelle Salanga

Tom Trewinnard

Anika Anand

Nikki Usher

Stephen Fowler

Cristina Tardáguila

Paul Cheung

Gonzalo del Peon

Jonas Kaiser

Joy Mayer

John Davidow

Jessica Clark

Joanne McNeil

Matt Karolian

Jesenia De Moya Correa

Alice Antheaume

Sarah Stonbely

Amara Aguilar

Shannon McGregor & Carolyn Schmitt

Jim Friedlich

Eric Nuzum

Andrew Freedman

Whitney Phillips

Gabe Schneider

Errin Haines

Kristen Muller

Laxmi Parthasarathy

Kathleen Searles & Rebekah Trumble

Natalia Viana

Daniel Eilemberg

Tamar Charney

Juleyka Lantigua

AX Mina

Julia Angwin

j. Siguru Wahutu

Doris Truong

Matthew Pressman

Candace Amos