We remember the importance of face-to-face reporting

“It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.”

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

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Jesenia De Moya Correa

Sam Guzik

John Davidow

Stephen Fowler

Kristen Jeffers

Brian Moritz

Simon Galperin

Shalabh Upadhyay

Megan McCarthy

David Skok

Doris Truong

Ståle Grut

Matt Karolian

Nikki Usher

Tamar Charney

Rachel Glickhouse

Cherian George

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Joy Mayer

Juleyka Lantigua

Mario García

Rasmus Kleis Nielsen

Burt Herman

Sarah Marshall

Victor Pickard

Whitney Phillips

Daniel Eilemberg

Candace Amos

Don Day

Julia Angwin

Natalia Viana

Matthew Pressman

James Salanga

Amara Aguilar

Anika Anand

Gonzalo del Peon

Kathleen Searles & Rebekah Trumble

Cindy Royal

Mandy Jenkins

Francesco Zaffarano

Parker Molloy

Gordon Crovitz

Jim Friedlich

Shannon McGregor & Carolyn Schmitt

Gabe Schneider

Raney Aronson-Rath

Christina Shih

Simon Allison

Anthony Nadler

Richard Tofel

Jessica Clark

Tom Trewinnard

James Green

Ariel Zirulnick

Kerri Hoffman

Laxmi Parthasarathy

Joshua P. Darr

Tony Baranowski

Amy Schmitz Weiss

Christoph Mergerson

Robert Hernandez

Mary Walter-Brown

Michael W. Wagner

Izabella Kaminska

Cristina Tardáguila

Jody Brannon

Errin Haines

Chicas Poderosas

Wilson Liévano

Jesse Holcomb

Kendra Pierre-Louis

Kristen Muller

Anita Varma

Joanne McNeil

Sarah Stonbely

j. Siguru Wahutu

Chase Davis

Joe Amditis

Julia Munslow

Millie Tran

Joni Deutsch

Meena Thiruvengadam

Alice Antheaume

Paul Cheung

Moreno Cruz Osório

Andrew Freedman

Jonas Kaiser

Eric Nuzum

Mike Rispoli

Matt DeRienzo

S. Mitra Kalita

Melody Kramer

Larry Ryckman

David Cohn

Zizi Papacharissi

Jennifer Brandel

Catalina Albeanu

Stefanie Murray