Linking content and format will be key

“To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core.”

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Amy Schmitz Weiss

j. Siguru Wahutu

Megan McCarthy

S. Mitra Kalita

Tom Trewinnard

Anthony Nadler

Robert Hernandez

Anita Varma

Ariel Zirulnick

Meena Thiruvengadam

Don Day

Brian Moritz

Francesco Zaffarano

Jonas Kaiser

Doris Truong

Tony Baranowski

Whitney Phillips

Joni Deutsch

James Salanga

Natalia Viana

Jennifer Coogan

Burt Herman

Christoph Mergerson

Victor Pickard

David Cohn

Jesse Holcomb

Daniel Eilemberg

Mary Walter-Brown

Jody Brannon

Alice Antheaume

Melody Kramer

Paul Cheung

Zizi Papacharissi

Matt DeRienzo

Cherian George

Gordon Crovitz

Larry Ryckman

Moreno Cruz Osório

Candace Amos

Simon Galperin

Jennifer Brandel

Cindy Royal

Matt Karolian

Richard Tofel

Kathleen Searles & Rebekah Trumble

Stefanie Murray

Julia Angwin

Sam Guzik

Christina Shih

David Skok

Tamar Charney

Joanne McNeil

Eric Nuzum

Gonzalo del Peon

Kendra Pierre-Louis

Simon Allison

Sarah Stonbely

James Green

Kristen Jeffers

Gabe Schneider

Kerri Hoffman

Amara Aguilar

John Davidow

Joshua P. Darr

Parker Molloy

Kristen Muller

Ståle Grut

Jessica Clark

Raney Aronson-Rath

Matthew Pressman

Catalina Albeanu

Jesenia De Moya Correa

Mandy Jenkins

Errin Haines

Andrew Freedman

Anika Anand

Stephen Fowler

Juleyka Lantigua

Millie Tran

Sarah Marshall

AX Mina

Cristina Tardáguila

Julia Munslow

Joe Amditis

Jim Friedlich

Chicas Poderosas

Mike Rispoli

Izabella Kaminska

Rasmus Kleis Nielsen

Mario García

A.J. Bauer

Joy Mayer

Wilson Liévano

Michael W. Wagner

Laxmi Parthasarathy

Shannon McGregor & Carolyn Schmitt

Nik Usher

Chase Davis

Shalabh Upadhyay

Rachel Glickhouse