Linking content and format will be key

“To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core.”

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Tamar Charney

Matthew Pressman

Tom Trewinnard

Gabe Schneider

Ariel Zirulnick

Chicas Poderosas

Jesenia De Moya Correa

James Salanga

Christina Shih

Jim Friedlich

Tony Baranowski

Ståle Grut

Joe Amditis

Julia Munslow

Anthony Nadler

Laxmi Parthasarathy

Sarah Marshall

Robert Hernandez

Don Day

Raney Aronson-Rath

S. Mitra Kalita

Nik Usher

Kristen Jeffers

Mandy Jenkins

Joanne McNeil

A.J. Bauer

Wilson Liévano

Catalina Albeanu

Candace Amos

Shalabh Upadhyay

David Cohn

Stefanie Murray

Alice Antheaume

Megan McCarthy

Jessica Clark

Kendra Pierre-Louis

Cherian George

Joshua P. Darr

Francesco Zaffarano

Amy Schmitz Weiss

Cindy Royal

Millie Tran

Natalia Viana

AX Mina

Gordon Crovitz

Cristina Tardáguila

Kerri Hoffman

Chase Davis

Burt Herman

Sam Guzik

Matt DeRienzo

Jesse Holcomb

Amara Aguilar

Kristen Muller

Rasmus Kleis Nielsen

Whitney Phillips

Jennifer Coogan

Moreno Cruz Osório

Richard Tofel

Christoph Mergerson

Simon Allison

Doris Truong

Paul Cheung

Anita Varma

Stephen Fowler

Mike Rispoli

Gonzalo del Peon

Daniel Eilemberg

Julia Angwin

j. Siguru Wahutu

David Skok

Rachel Glickhouse

Juleyka Lantigua

Shannon McGregor & Carolyn Schmitt

Jennifer Brandel

Mary Walter-Brown

Brian Moritz

Jonas Kaiser

John Davidow

Jody Brannon

Mario García

Parker Molloy

Simon Galperin

Izabella Kaminska

Anika Anand

Joy Mayer

Kathleen Searles & Rebekah Trumble

Melody Kramer

Andrew Freedman

Eric Nuzum

Joni Deutsch

Sarah Stonbely

James Green

Michael W. Wagner

Meena Thiruvengadam

Victor Pickard

Matt Karolian

Larry Ryckman

Zizi Papacharissi

Errin Haines