Linking content and format will be key

“To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core.”

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Joni Deutsch

Catalina Albeanu

Whitney Phillips

Gabe Schneider

Kristen Jeffers

Megan McCarthy

Cindy Royal

Simon Allison

Tony Baranowski

Izabella Kaminska

Christina Shih

Natalia Viana

Sarah Stonbely

Eric Nuzum

Wilson Liévano

Millie Tran

Kristen Muller

S. Mitra Kalita

Joy Mayer

Shannon McGregor & Carolyn Schmitt

Jennifer Brandel

James Salanga

Francesco Zaffarano

Burt Herman

Gonzalo del Peon

Ariel Zirulnick

Julia Munslow

Errin Haines

Robert Hernandez

Parker Molloy

Shalabh Upadhyay

Don Day

Brian Moritz

Matt Karolian

Kathleen Searles & Rebekah Trumble

Moreno Cruz Osório

Anthony Nadler

Mario García

Victor Pickard

Jesse Holcomb

Michael W. Wagner

A.J. Bauer

Matthew Pressman

Candace Amos

Jim Friedlich

David Skok

Sarah Marshall

Doris Truong

Jennifer Coogan

Stephen Fowler

David Cohn

James Green

Paul Cheung

Jesenia De Moya Correa

Mike Rispoli

j. Siguru Wahutu

Nikki Usher

Tamar Charney

Sam Guzik

Cristina Tardáguila

Anika Anand

Matt DeRienzo

Jody Brannon

Joe Amditis

Mary Walter-Brown

Anita Varma

Rachel Glickhouse

Chicas Poderosas

Jessica Clark

Joshua P. Darr

Daniel Eilemberg

Stefanie Murray

Kerri Hoffman

Amy Schmitz Weiss

Gordon Crovitz

Zizi Papacharissi

Chase Davis

Christoph Mergerson

Cherian George

Tom Trewinnard

Melody Kramer

Richard Tofel

Simon Galperin

Amara Aguilar

Raney Aronson-Rath

Joanne McNeil

Meena Thiruvengadam

Mandy Jenkins

Juleyka Lantigua

Larry Ryckman

Andrew Freedman

Julia Angwin

Ståle Grut

Alice Antheaume

Jonas Kaiser

Kendra Pierre-Louis

Laxmi Parthasarathy

AX Mina

John Davidow

Rasmus Kleis Nielsen