Linking content and format will be key

“To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core.”

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Joni Deutsch

Ariel Zirulnick

Robert Hernandez

Chase Davis

Gordon Crovitz

Cristina Tardáguila

Daniel Eilemberg

Moreno Cruz Osório

Catalina Albeanu

Shannon McGregor & Carolyn Schmitt

Matt DeRienzo

Victor Pickard

Andrew Freedman

Rasmus Kleis Nielsen

Jennifer Coogan

Wilson Liévano

Kristen Jeffers

Whitney Phillips

S. Mitra Kalita

Simon Galperin

Raney Aronson-Rath

Juleyka Lantigua

Don Day

Mike Rispoli

Kristen Muller

Cherian George

Ståle Grut

Megan McCarthy

Millie Tran

Anita Varma

Tony Baranowski

David Cohn

Janelle Salanga

Jonas Kaiser

Meena Thiruvengadam

AX Mina

Gonzalo del Peon

Amy Schmitz Weiss

Anika Anand

A.J. Bauer

Laxmi Parthasarathy

Stefanie Murray

Candace Amos

Christoph Mergerson

Anthony Nadler

Joanne McNeil

Mario García

Mary Walter-Brown

Stephen Fowler

Gabe Schneider

David Skok

Shalabh Upadhyay

Julia Munslow

Tamar Charney

Amara Aguilar

James Green

Jesenia De Moya Correa

Parker Molloy

j. Siguru Wahutu

Joy Mayer

John Davidow

Matt Karolian

Paul Cheung

Jim Friedlich

Sam Guzik

Mandy Jenkins

Michael W. Wagner

Brian Moritz

Julia Angwin

Matthew Pressman

Errin Haines

Jessica Clark

Tom Trewinnard

Natalia Viana

Sarah Marshall

Francesco Zaffarano

Izabella Kaminska

Joe Amditis

Chicas Poderosas

Jody Brannon

Simon Allison

Christina Shih

Eric Nuzum

Burt Herman

Kathleen Searles & Rebekah Trumble

Larry Ryckman

Jennifer Brandel

Kerri Hoffman

Nikki Usher

Rachel Glickhouse

Kendra Pierre-Louis

Sarah Stonbely

Jesse Holcomb

Richard Tofel

Zizi Papacharissi

Cindy Royal

Melody Kramer

Joshua P. Darr

Alice Antheaume

Doris Truong