It used to be the domain of intelligence agencies, but in 2020, more journalists will use the power of digital open sources for journalism. Open source intelligence (OSINT) used for journalism builds on a wide range of digital sources deriving from new camera technology and internet services.
An OSINT investigation is not one single method to get at truth, but rather a combination of creative and critical thinking to navigate digital sources on the web. Satellite imagery, social media, databases of wind, weather, and vessel movement — you name it. All of these datasets can all be combined to recreate an environment of the past in order to better understand what happened at a specific place and point in time. What started out as a nerdy effort by amateurs such as Eliot Higgins of Bellingcat, is set to upend investigative journalism in the digital age.
Groups like Forensic Architecture and Bellingcat have pioneered creative new ways of getting to the truth through digital sources. Their own investigations, as well as collaborations with established media outlets like The New York Times, the BBC, and Der Spiegel, are gaining increasing attention. This lends visibility to their methods. Projects based on OSINT have received prestigious awards; a documentary about Bellingcat itself even won an Emmy.
OSINT is quickly gaining a foothold within traditional journalistic institutions. But the OSINT community is currently made up mostly of a relatively small group of skilled enthusiasts doing the heavy lifting. These specialists can be seen in the credits of most prominent OSINT stories, regardless of medium or institution. That will change in 2020 as more and more journalists will adopt these methods.
Both the Tow Center and the Global Investigative Journalism Network released guides on how to do OSINT journalism this year. The BBC made training journalists “in the art of open source media” a top priority for 2019. The results will start to show in 2020.
As more and more journalists are introduced to techniques and tools, OSINT will proliferate from large newsrooms to smaller and even individual journalists. The impressive open source sleuthing demonstrated by Ashley Feinberg proves these techniques can be as valuable to individual journalists and small newsroom as to the resourceful giants.
Ståle Grut is a journalist and strategic advisor at the R&D lab of Norwegian public broadcasting, NRKbeta.
It used to be the domain of intelligence agencies, but in 2020, more journalists will use the power of digital open sources for journalism. Open source intelligence (OSINT) used for journalism builds on a wide range of digital sources deriving from new camera technology and internet services.
An OSINT investigation is not one single method to get at truth, but rather a combination of creative and critical thinking to navigate digital sources on the web. Satellite imagery, social media, databases of wind, weather, and vessel movement — you name it. All of these datasets can all be combined to recreate an environment of the past in order to better understand what happened at a specific place and point in time. What started out as a nerdy effort by amateurs such as Eliot Higgins of Bellingcat, is set to upend investigative journalism in the digital age.
Groups like Forensic Architecture and Bellingcat have pioneered creative new ways of getting to the truth through digital sources. Their own investigations, as well as collaborations with established media outlets like The New York Times, the BBC, and Der Spiegel, are gaining increasing attention. This lends visibility to their methods. Projects based on OSINT have received prestigious awards; a documentary about Bellingcat itself even won an Emmy.
OSINT is quickly gaining a foothold within traditional journalistic institutions. But the OSINT community is currently made up mostly of a relatively small group of skilled enthusiasts doing the heavy lifting. These specialists can be seen in the credits of most prominent OSINT stories, regardless of medium or institution. That will change in 2020 as more and more journalists will adopt these methods.
Both the Tow Center and the Global Investigative Journalism Network released guides on how to do OSINT journalism this year. The BBC made training journalists “in the art of open source media” a top priority for 2019. The results will start to show in 2020.
As more and more journalists are introduced to techniques and tools, OSINT will proliferate from large newsrooms to smaller and even individual journalists. The impressive open source sleuthing demonstrated by Ashley Feinberg proves these techniques can be as valuable to individual journalists and small newsroom as to the resourceful giants.
Ståle Grut is a journalist and strategic advisor at the R&D lab of Norwegian public broadcasting, NRKbeta.
AX Mina The Forum we wanted, the forum we got
Sue Robinson Campaign coverage as test bed for engagement experiments
Heather Bryant Some kinds of journalism aren’t worth saving
Joshua P. Darr All that campaign cash will make the media’s problems worse
John Garrett It’s the best time in a century to start a local news organization
Mario García Think small (screen)
Richard Tofel A constraint of the reader-revenue model emerges
Peter Bale Lies get further normalized
Ben Werdmuller Use the tools of journalism to save it
Jeff Kofman Speed through technology
Jeremy Olshan All journalism should be service journalism
Jakob Moll A slow-moving tech backlash among young people
Errin Haines Race and gender aren’t a 2020 story — they’re the story
Kathleen Searles Pay more attention to attention
Mira Lowe The year of student-powered journalism
John Keefe Journalism gets hacked
Lucas Graves A smarter conversation about how (and why) fact-checking matters
Victor Pickard We reclaim a public good
Rachel Davis Mersey The business of local TV news will enter its downward slide
Rachel Schallom The value of push alerts goes beyond open rates
Doris Truong The year of radical salary transparency
Hossein Derakhshan AI can’t conjure up an Errol Morris
Carrie Brown Engaged journalism: It’s finally happening
Nicholas Jackson What’s left of local gets comfortable with reader support
Matthew Pressman News consumers divide into haves and have-nots
J. Siguru Wahutu Western journalists, learn from your African peers
Jeremy Gilbert and Jarrod Dicker A call for collaboration between storytelling and tech
Nushin Rashidian Are platforms a bridge or a lifeline?
Tonya Mosley The neutrality vs. objectivity game ends
Carl Bialik Journalists will try running the whole shop
Jennifer Brandel A love letter from the year 2073
Nathalie Malinarich Betting on loyalty
Rachel Glickhouse Journalists get left behind in the industry’s decline
Nico Gendron Make better products if you want to reach Gen Z
Madelyn Sanfilippo and Yafit Lev-Aretz News coverage gets geo-fragmented
Joni Deutsch Podcasting unsilences the silent
Barbara Gray Join local libraries on the frontlines of civic engagement
Beena Raghavendran The year of the local engagement reporter
Jake Shapiro Podcasting gets listener relationship management
Sarah Marshall The year to learn about news moments
Logan Jaffe You don’t need fancy tools to listen
Jim Brady We’ll complain about other people living in bubbles while ignoring our own
Dannagal G. Young Let’s disrupt the logic that’s driving Americans apart
Matt DeRienzo Local broadcasters begin to fill the gaps left by newspapers
Sonali Prasad Climate change storytelling gets multidimensional
Cory Haik We’re already consuming the future of news — now we have to produce it
Craig Newmark Formalizing newsrooms’ battle against disinformation
Tanya Cordrey Saying no to more good ideas
Alexandra Borchardt Get out of the office and talk to people
Jonas Kaiser Russian bots are just today’s slacktivists
Anthony Nadler Clash of Clans: Election Edition
Emily Withrow The year we kill the news article
Mike Caulfield Native verification tools for the blue checkmark crowd
Michael W. Wagner Increasingly fractured, but little bit deliberative
Kristen Muller The year we operationalize community engagement
Masuma Ahuja Slower, quieter, more measured and thoughtful
Mariana Moura Santos The future of journalism is collaborative
Bill Grueskin Our ethics codes get an overhaul
Alana Levinson Brand-backed media gets another look
Imaeyen Ibanga Let’s take it slow
Annie Rudd The expanded ambiguity of the news photograph
Tom Glaisyer Journalism can emerge newly vibrant and powerful
Logan Molyneux and Shannon McGregor Think twice before turning to Twitter
Francesco Zaffarano TikTok without generational prejudice
Elizabeth Hansen and Jesse Holcomb Local news initiatives run into a capital shortage
Cristina Kim Public media stops trying to serve “everybody”
Talia Stroud The work of reconnecting starts November 4
Sara K. Baranowski A big year for little newspapers
Joe Amditis Collaborative journalism takes its rightful place at the table
Catalina Albeanu Rebuilding journalism, together
Don Day Respect the non-paying audience
Brenda P. Salinas Treating MP3 files like text
Linda Solomon Wood Everyone in your organization, moving toward a common goal
Felix Salmon Spotify launches a news channel
Mary Walter-Brown and Tristan Loper Power to the people (on your audience team)
Fiona Spruill The climate crisis gets the coverage it deserves
Moreno Cruz Osório In Brazil, collaboration in a time of state attacks
M. Scott Havens First-party data becomes media’s most important currency
Alice Antheaume Trade “politics” for “power”
Josh Schwartz Publishers move beyond the metered paywall
Heidi Tworek The year of positive pushback
Greg Emerson News apps fall further behind
Ernie Smith The death of the industry fad
Ståle Grut OSINT journalism goes mainstream
Dan Shanoff Sports media enters the Bronny era
Kevin D. Grant The free press stands against authoritarians’ attacks on truth
Geneva Overholser Death to bothsidesism
S. Mitra Kalita The race to 2021
Steve Henn The dawning audio web
Laura E. Davis Know the context your journalism is operating within
Rick Berke Incoming fire from both left and right
Rasmus Kleis Nielsen The business we want, not the business we had
Sarah Stonbely More people start caring about news inequality
Jasmine McNealy A call for context
Knight Foundation Five generations of journalists, learning from each other
Juleyka Lantigua A changing industry amps up podcasters’ ambitions
Lauren Duca The rise of the journalistic influencer
Colleen Shalby Journalists become media literacy teachers
Sarah Schmalbach Journalist, quantify thyself
Julia B. Chan We 👏 take 👏 breaks 👏
Zizi Papacharissi A president leads, the press follows, reality fades
Candis Callison Taking a cue from Indigenous journalists on climate change
Sarah Alvarez I’m ready for post-news
Whitney Phillips A time to question core beliefs
Monique Judge The year to organize, unionize, and fight
Eric Nuzum Podcasting finally creates another mega-hit show
Simon Galperin Journalism becomes more democratic
Kourtney Bitterly Transparency isn’t just a desire, it’s an expectation
A.J. Bauer A fork in the road for conservative media
Alfred Hermida and Mary Lynn Young The promise of nonprofit journalism
Meredith Artley Stronger solidarity among news organizations
Stefanie Murray Charitable giving goes collaborative
Monica Drake A renewed focus on misinformation
Raney Aronson-Rath News deserts will proliferate — but so will new solutions
Gordon Crovitz Fighting misinformation requires journalism, not secret algorithms
Bill Adair A Nobel Prize, a Brad Pitt film, and a Taylor Swift song
Christa Scharfenberg It’s time to make journalism a field that supports and respects women
Cindy Royal Prepare media students for skills, not job titles
Pablo Boczkowski The day after November 4
Brian Moritz The end of “stick to sports”
Irving Washington Leadership isn’t something you learn on the job
Seth C. Lewis 20 questions for 2020
Joanne McNeil A return to blogs (finally? sort of?)
Kerri Hoffman Opening closed systems
Meg Marco Everything happens somewhere
Margarita Noriega The platforms try to figure out what to do with single-subject newsrooms
Tamar Charney From broadcast to bespoke